I loved WNTTAK as I thought that Shriver had done an excellent and subtle job of capturing the mother as this well-meaning but very entitled and self-pitying liberal type. Then I read another of her books, which was awful and which had a very similar character in it, and I heard her speak and read some of her opinion pieces, and thought perhaps she isn't actually all that clever, perhaps that's just what she thinks people are like.
Anyway, after an absence from the thread I will attempt to be less wordy than usual to catch up with my reviews.
16. The Lady in the Lake, Laura Lippman
Noir-ish thriller set in 1960s Baltimore. A rich white woman divorces her husband and, determined to get a job as a newspaper reporter, becomes involved in investigating the death of a black woman. An interesting portrait of the time and with some thought-provoking perspectives on privilege and prejudice. I found it hard to engage with the central character though and as a result got a bit bored.
17. How to Be Right.. In a World Gone Wrong, James O'Brien
JO'B is the lefty talk show host from lBC, well known for arguing against pre-Brexit, anti-immigrant callers with sharp logic and a good grasp of facts. I liked this book more than I expected to - O'Brien IS a bit full of himself but he says, convincingly, that he actually really likes to hear well-thought out opinions which differ from his own, and that the times that he challenges people are when they have just swallowed prejudices fed to them by others without stopping to think about them. He reserves his anger and scorn for those who are cynically feeding these views, such as the right wing press, businesses and some politicians.
DNF: Full Dark House (Bryant and May), Christopher Fowler
Picked this up as I had heard positive things in discussion of B&M here. Didn't get on with it unfortunately; the writing style was strangely dense and I frequently found myself lost at the end of a sentence not knowing what it had said. The murder that happens near the beginning relied on a confusing description (maybe deliberately? but I just couldn't work out what was supposed to have happened), and when we got onto long-winded technical discussions of theatre equipment, I was out.
18. The Mermaid and Mrs Hancock, Imogen Hermes Gowar
Much reviewed here last year. Plusses: great historic atmosphere, feminist without being anachronistic, lovely sumptuous bits of description especially of Georgian London (and the Deptford docks, where I lived for a bit). Minuses: weird plotting and pacing, people drop in and out of the narrative and are never heard of again, nothing happens for ages, weird magic realism subplot which didn't work for me.
I have started on Why the Germans Do it Better: Notes from a Grown-Up Country but decided I would probably enjoy it more if I start with Stasiland to set the scene, so I have that lined up and am looking forward to it after some really positive reviews here.