Bringing over my list.
1.) Gossip From the Forest, Sara Maitland
2.) Ritual, Adam Nevill
3.) The Penny Heart, Martine Bailey
4.) Norse Mythology, Neil Gaiman
5.) The Elder Scrolls: Skyrim Library Volume 1: Histories
6.) The Fishermen, Chigozie Obioma
7.) The History of the English Puppet Theatre, by George Speaight
8.) The Year of Reading Dangerously, by Andy Miller
9.) Republic of Thieves, by Scott Lynch
10.) Women & Power: A Manifesto, by Mary Beard
11.) Wychwood, by George Mann
12.) Sleeping Beauties, by Stephen King and Owen King
13.) Last Days, by Adam Nevill
14.) The Owl Killers, by Karen Maitland
15.) Confessions of a Shopaholic, by Sophie Kinsella
16.) Happy, by Derren Brown
17.) A Surfeit of Lampreys, by Ngaio Marsh
18.) Death Knocks Twice, by Robert Thorogood
19.) Cheer up, Love, by Susan Calman
20.) The North Water, by Ian McGuire
21.) The Little Stranger, by Sarah Waters
22.) A Morbid Taste for Bones, by Ellis Peters
23.) Rogues, edited by George RR Martin
24.) End of Watch, Stephen King
25.) Brave, Rose McGowan
26.) The Blackest Streets, Life and Death of a Victorian Slum, Sarah Wise
27.) Eligible, Curtis Sittenfield
28.) The Buried Giant, Kazuo Ishiguro
29.) The Essex Serpent, by Sarah Perry
30.) The Running Hare: The Secret Life of Farmland, by John Lewis-Stempel
31.) The Woman in Black: Angel of Death, by Martyn Waites
32.) Game of Thrones, by George RR Martin
33.) The Fire Child, by SK Tremayne
34.) Death of Kings, by Bernard Cornwell
35.) Here Comes Everybody: The Story of the Pogues, by James Fearnley
36.) The Land of the Green Man: A Journey through the Supernatural Landscapes of the British Isles, by Carolyne Larrington
37.) The Break, by Marian Keyes
37.) Tudor Monastery Farm, by Ruth Goodman, Peter Ginn, Tom Pinfold
38.) Under A Pole Star, by Stef Penney
39.) The Cheapside Corpse, by Susanna Gregory
40.) The Eyes of the Reindeer, Eva Weaver
41.) The Outcasts of Time, Ian Mortimer
42.) Death and the Dancing Footman, Ngaio Marsh
43.) Why Mummy Drinks, The Diary of an Exhausted Mum, by Gill Sims
44.) Colour Scheme, Ngaio Marsh
45.) Wide Sargasso Sea, Jean Rhys
46.) A Clash of Kings, by George R. R. Martin
47.) The Harrowing, by James Aitcheson
48.) Odd Girl Out, by Laura James
49.) Day 4, by Sarah Lotz
50.) The Silent Companions, Laura Purcell
51.) This Thing of Darkness, Harry Thompson
52.) Spectacles: A Memoir, by Sue Perkins
53.) Beautiful For Ever: Madame Rachel of Bond Street - Cosmetician, Con-artist and Blackmailer, by Helen Rappaport
54.) Prince of Thorns, The Broken Empire Book 1, by Mark Lawrence
55.) Shopaholic Abroad, Sophie Kinsella
56.) Perfect Wives in Ideal Homes: The Story of Women in the 1950s, by Virginia Nicholson
57.) Foxlowe, by Eleanor Wasserberg
58.) A Head Full of Ghosts, Paul Tremblay
59.) Miss Burma, Charmaine Craig
60.) Brooklyn, Colm Toibin
61.) Harry Potter and the Order of the Phoenix, by JK Rowling
62.) Medieval Bodies: Life, Death and Art in the Middle Ages, by Jack Hartnell
63.) The Witches of Warboys: An Extraordinary Story of Sorcery, Sadism and Satanic Possession in Elizabethan England, by Philip C Almond
64.) Men Without Women, Haruki Murakami
65.) How Not to be a Boy, Robert Webb
66.) Fools and Mortals, by Bernard Cornwell
67.) Black Tudors, by Miranda Kaufmann
68.) The Immortalists, Chloe Benjamin
69.) Badgerlands, Patrick Barkham
70.) The Mermaid and Mrs Hancock, Imogen Hermes Gowar
71.) The Time Traveller's Guide to Restoration Britain, by Ian Mortimer
72.) On Editing, Helen Corner-Bryant & Kathryn Price
73.) Blood Meridian, Cormac McCarthy
74.) Rotherweird, Book 1: Andrew Caldecott
75.) We Go Around in the Night and are Consumed by Fire, Jules Grant
76.) Ladder of Years, Anne Tyler
77.) Bookworm: A Memoir of Childhood Reading, Lucy Mangan
78.) Vox, by Christina Dalcher
79.) A Conspiracy of Violence, by Susanna Gregory
80.) The Muse, by Jessie Burton
And my most recent reads:
81.) City of Brass, by S. A. Chakraborty -- The first in a new fantasy series, using Middle Eastern mythology as inspiration. Supposedly YA, although it's not obviously so. It deals with fairly adult themes. I enjoyed this a lot, although it wasn't quite what I was expecting. I thought it was going to be entirely set in an alternate version of 19th century Cairo, but instead the main action centres on the Djinn city of Daevabad, inhabited by various different factions of magical beings as well as a half-human underclass. That disappointed me a bit. I've always found portal fantasy the least interesting kind of fantasy, and that's essentially what this is. The concept of a protagonist surviving in an alternative magical version of a real-world city strikes me as far more interesting (not to mention harder to write) than the YA trope of an entirely invented city, and if the Cairo at the start of the novel is the 19th century Cairo from our world, then I found the main character Nahri far too modern to be realistic, to the point where it interfered with my suspension of disbelief. The Cairo in the novel is well-drawn, but while I could believe it was an alternate version, I did NOT believe it was the Cairo of our world. It doesn't ring true.
But aside from that I really did like the novel a lot. The setting and the underlying mythology is interesting, and I liked the conflicting motivations of the various characters in Daevabad, as well as the note it ended on, which makes for a fantastic set-up for the next novel. I have some reservations about the way the climax progressed, but I can't fault the ending itself, and I'll certainly be reading the next in the series when it's released.
82.) Snuff, by Terry Pratchett -- An audiobook version of one of the later City Watch books. Sam Vimes is supposed to be on holiday, but ends up stumbling, rather inevitably, onto a crime. This was okay. I really need to go back and read the City Watch books from the beginning: I loved the early ones, but find the later ones a little lacklustre, although it is interesting seeing the Watch growing closer to modern policing.
The audiobook format didn't quite work for me either. The lack of chapters means it isn't always obvious when there's a scene change, and I really didn't like the way strong regional accents are used to identify each character.
83.) The Terror, by Dan Simmons -- A reread. Horror novel about the lost Franklin expedition. I liked it even better the second time round, and the Crozier/Silence stuff made more sense to me the second time round, although I don't think the folk tale chapters really help with the 'wait, WTF is happening?' feeling. Having read This Thing of Darkness since I read this the first time round, I found myself grinning at the references to the Beagle. It's also odd, considering the supernatural element to this book, how strongly I find myself believing that this could be what actually happened. It's one of those books that leaves me wanting to know more about the history behind it.
84.) Small Gods, by Terry Pratchett -- Old-school Pratchett which deals with religion, philosophy and the meaning of faith and belief. Enjoyable and engaging.
85.) After the Party, by Cressida Connolly -- A historical novel about members of Oswald Mosley's Britihs Union party. It's told from the point of view of Phyllis, who at the start we learn has been imprisoned for an unspecified reason, who is a follower of Mosley, although there's very little exploration of the party's political beliefs. I enjoyed it a lot, although I hate the way the blurb misrepresents the plot. It focuses a lot on domestic details, on the quibbling between Phyllis's sisters and on the shallowness of the set she runs about with, and it raises questions about freedom of belief and of speech that left me feeling a little uncomfortable. An interesting read.
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Anyone else shooting for 100 before the end of the year? 
Currently reading The Feed, by Nick Clark Windo, which so far is more sci-fi post-apocalyptic thriller than the zombie horror novel the title had led me to believe it was. The writing is a bit disjointed, but I'm willing to give it the benefit of the doubt and assume it's deliberate. Good so far, and I like the way it deals with how over-reliance on technology has left the survivors stunted.