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NW by Zadie Smith
I know a few of you have read this or given up
A frustrating book that is often more concerned with pissing about with form and it's own lofty ideas of a "concept novel" then a 'good yarn'.
Neither of the lead females is an appealing person, though Natalie and her personal struggle with identity is more interesting, I didn't feel like I ever grasped her as a character, and in some ways that is part of the point.
I have no idea why she does the thing she does in the section of the book called Crossing. Absolutely baffled as to her motives.
The whole Felix interlude and the tenuous link of the leads to it is just there for dramatic value and the whole thing is just cheapened by it, from both angles.
It is overly ambitious, and misses its aim, is a bit too concerned with making a "point" at the expense of the story.
London Centric Novels by London Authors all seem to make the same points and tell the same story in dfferent ways, one that exists in the London Elite Echo Chamber. So many Contemporary London books are the same book, or variants of the same book.
- Someone struggles with rivalry and shallowness in a "media job"
- Someone becomes a mother and struggles with the demands of motherhood against the back drop of various patissieries
- Earnest box ticking of every community, endless box ticking of "social issues"
2 often being either alongside 1 or alongside 3.
There are too many of them. Where are the voices of the rest of the UK, really?
(My apologies if that sounds Brexit, I'm a Remain Labour voter)
What I mean is not about/against multiculturism at all, but were are the Bradford voices? The stories from Liverpool, Newcastle, Birmingham?
But trip over in a bookshop and you'll knock over 10 books that fit the description of one, two, or three 