61. Life Class – Pat Barker
Part one of a trilogy, this was eminently readable and jogged along nicely but I didn’t fall for this WW1 novel in the same way that I did the Regeneration trilogy. Saying that, I’ve got the next two lined up from the library. I found the description and the scene setting to be excellent but just didn’t believe in the characters enough.
62. Under Major Domo Minor – Patrick DeWitt
This strange, short novel set in a mountainous land with castles and deranged nobility was much more like a fairy tale than anything else but as there are trains it’s not a book about the distant past. It’s actually quite funny in parts, following the fortunes of the flawed hero Lucy (male) and the scrapes he gets into, but it’s not a patch on The Sisters Brothers, which I really loved.
63. The Outrun – Amy Liptrot
I thought this was excellent and raced through this book, which has just been awarded the Wainwright Prize. What you get here is a well-executed combination of nature writing and autobiography in which the author talks about her years as an alcoholic in London and her childhood and recovery in the Orkney Islands. As you can imagine, there is an awful lot of introspection here but I did not find it tiresome and I learnt so much about islands and the landscape of the far north. I recommend this for all lovers of nature writing but still prefer Landmarks (which was also on the shortlist for the same prize).
64. Mr Mac and Me – Esther Freud
As I’m originally from the Essex/Suffolk borders I enjoyed this gentle novel set at the beginning of the first world war and set on the Suffolk coast. It’s told from the point of view of a local boy who befriends Mr Mac, who is the artist Charles Rennie Mackintosh. Lots of interesting detail about measures taken in WW1 and Mackintosh is a figure of which I knew rather little. Didn’t set me alight though.
65. The Muse – Jessie Burton
This was absolutely fine, another readable novel, rather like the one above, but there was nothing standout here that captured my imagination. The action moves between two different time frames, late 1960s London and 1930s Spain and gradually the two come together until the earlier informs the latter. I liked the heroine, Odelle Bastien, who has emigrated from Trinidad and ends up working for her mysterious boss in a London art house, but I just didn’t believe in the 1930s characters or any of their dialogue.
I think I am jaded and hard to please these days!
Although I haven’t posted for a while I have been keeping up with the thread and have been enjoying all the reviews - and the arguments 