Cote, I saw your post and promptly purchased The Martian. I do think I will like it, but I had resolved not to buy any more books this month!
I have a question, lovely readers. Does A Wizard of Earthsea count as 1 book, or is it a quarter of An Earthsea Quartet? I also read The Tombs of Atuan last night. I'm going to review them anyway and I can add my reviews of the last two quarters when I've finished them.
A Wizard of Earthsea and The Tombs of Atuan, Ursula K Le Guin. Slow start to the 1st one - it starts off in very fable-type language, similar to The Silmarillion. It did pick up and I loved the descriptions of the lands. I just spent the entire book going but Patrick Rothfuss has nicked this entire concept in The Name of the Wind! Names, nine Masters, Unmaking, a rich student called Jasper whom the main character hates, an old language that contains all the Names in the world... It was quite distracting, and actually Rothfuss definitely writes in a much more accessible, lively way - I care a lot more about Kvothe than about Ged. But how did Rothfuss get away with that? Did he ask Le Guin's permission? Does he credit her anywhere? Going back to Earthsea, I found the chase after the Shadow not massively gripping, tbh, and there are hardly any characters and you don't even really get to know Ged that well. But, The Tombs of Atuan really got me. I was hooked from the Prologue where Tenar is selected, and I read it in a positive frenzy of hoping that she got a happy ending, because all the horrible ceremonies and stuff were so fucked up. That poor, poor little girl. The dark tombs and the Labyrinth were petrifying too - again, I was too scared to put it down in case something awful happened to Tenar. Again, though, the Undertomb reminded me very strongly of the Underthing in The Name of the Wind, and all the stress on the power of silence in both books was highly reminiscent of The Slow Regard of Silent Things.