Thank you very much for my free copy.
Right, here goes.
I wanted to love everything about this book because I am a huge fan of Nicola Morgan - her creative writing books are the best in the business and I really enjoy her YA fiction.
I loved nearly everything about this book....
It is a totally fantastic concept for a book. Nicola Morgan is known for being willing to give the harsh truth in her books on how to get published and I was delighted to see some of the crabbit old bat persona sneaking in here as well - eg her being willing to inform her teenage readers that the evidence points to bedtime being a useful thing. I wish there were more books on parenting with nice solid science underlying them. It works really well. I like the way it uses science to promote intra-familial harmony. Definitely performs a service to humanity.
The writing is brilliant. It's breezy and accessible and I loved the way she makes it interactive with quizzes. The teenagers in my family would enjoy it and the grown-ups would find it useful. My kids are still pre-teen but I think it helped me understand them a little bit better, too.
The one thing that took me aback is that the chapter on gender didn't seem to contain the openness to different theories that the earlier chapters did. It reads as a bit Simon Baron-Cohen fangirl. She seemed readier to accept this stuff, uncritically, than she was in the previous sections (one of the strengths of the book is the way she lays out different theories side by side), and that bothered me rather a lot because I've read things that have criticised S B-C for overstating brain difference at birth. And the section on evolution and gender (pp 131-2) needed to be a little bit more critical, I think. I'd be a bit wary of giving this to my teenage nephews without a chat about the cultural context of science and the problems with some widely-quoted brain sex research (eg experiments with babies where the researcher doesn't know the sex of the child but the person holding the baby actually does, or the evolutionary psychology that is really little more than just-so stories).
Now I'm going to be awful and ask Nicola a question that has nothing to do with the book (because MNHQ didn't say I couldn't
)
Nicola, you've written both contemporary and historical YA fiction. Is it harder to get teenagers to read historical fiction than contemporary? There's very little straight YA historical on the shelves of my local Waterstones (though a fair bit of historical with fantasy elements) and I wonder if that reflects non-magical historical fiction being hard to sell to teens?