I could do this all night 🤣
Eurovision and Emotional Damage
It was meant to be a relaxing night.
Something light.
Sparkly.
Distracting.
“Let’s just watch Eurovision,” I said, reaching for the hummus.
Meghan tilted her head. “Really? Isn’t that the one where people dressed like elves in space boots?”
“Exactly,” I replied. “No royals. No press. Just pure, glittery chaos.”
We settled in with snacks: air-popped popcorn, beetroot chips, and Meghan’s chia-seed protein bites (which tasted like regret, but I said nothing).
The show began.
The crowd roared. The camera panned across the Liverpool arena.
Kalush Orchestra exploded onto the stage — drums, smoke, pink bucket hats.
Then came Sam Ryder, beaming like a solar panel in human form.
Then Joss Stone, barefoot and ethereal, warbling something about unity.
Then… was that…
Sir Andrew Lloyd Webber? At a golden piano?
I blinked.
“This is quite the lineup,” I murmured, mildly impressed.
Meghan nodded slowly. “Okay, this is kind of epic…”
And then it happened.
The camera cut to a dimly lit, majestic room — gold trim, chandeliers, oil paintings of dead kings named George — and there, like a Regency spectre summoned by a PR ritual…
Catherine.
At a grand piano.
Calm. Composed. Dressed in Ukrainian
blue, of course.
Fingertips poised. Back straight. Eyes down.
She began to play.
The music swelled.
The crowd lost it.
Twitter combusted.
The BBC announcer used the phrase “surprise royal cameo” three times in 15 seconds.
TikTok had memes within minutes.
Even Piers Morgan smiled — smiled — in a weird, paternal way.
Meghan froze mid-bite.
“She’s in the show?” she whispered.
I stared. “That’s… Buckingham Palace. That’s our old piano!”
Meghan narrowed her eyes. “It was our piano. We literally used that in the Commonwealth Christmas special before we got iced.”
Now Catherine was accompanying the Ukrainian winners like it was nothing. Just a casual piano number between Andrew Lloyd Webber and the spirit of pan-European harmony.
“People are going to eat this up,” I said, feeling a familiar sinking in my stomach.
And they did.
Headlines screamed:
- “Eurovision’s Real Winner? The Piano Queen of Kensington”
- “Princess of Harmony! Catherine Unites Continents Through Melody”
- “Can She Play at Glastonbury Too?”
Joss Stone posted a selfie with Catherine and the caption: “The real queen of the keys.”
Sam Ryder reposted it with twelve star emojis.
Even the Kalush Orchestra gave her a fist bump.
Meghan set her popcorn down slowly.
“She probably only learned to play to steal the spotlight.” she pronounced, picking up the remote. “I’m done”
“But you’re going to miss Finland dressed as a neon goblin,” I said as she stood up and left with her bottle of collagen infused smart water.
Later, Meghan went silent on Instagram for 48 hours. Then returned with a minimalist post:
A quote in Helvetica on a beige background.
“You can’t always choose the stage. But you can choose to be the light. As ever, Meghan’
Catherine trended globally. Again.
That night, I found Meghan at the laptop researching keyboard lessons and humming something that sounded suspiciously like the Ukrainian national anthem.
I didn’t say a word.