As Alex Kingston would say in
mode: SPOILERS!!!
So...that joke:
"How did you know Madeline was going to be a huge star?"
"When I saw her coming out of my boss's hotel room."
Oof.
It was an interesting premise but struggling with the idea that Madeline would have been successful and not insisted on a change of producer at some point.
Or that Douglas's wife/daughter wouldn't have heard the "punchline" before.
Or that he'd never mentioned the sleazy producer and what happened to Madeline at any point to her afterward, even if he was ashamed of his (lack of) response. Or that he'd have kept on the agent, even if /especially if the latter had used emotional blackmail.
But it was a decent enough drama with the switch from cancel culture to me too.
And from feeling some sympathy for Douglas to him being complicit, even if he might have thought she was okay with the casting couch.
Wasn't so keen on the portrayal of the daughter.
It was originally written as a play and I can see that. It would have worked very well on stage.
Nick Mohammed tried for the producer role but was knocked back gently for being too young for it. Ben Miles nailed that part as Pervy Wankstain material.