teacherspet33 Sat 02-Oct-10 18:00:22
"Why is it depressing? I have read to my daughter since she was about 1...Goldilocks featured a lot. Now she likes things like famous five, secret seven, The borrowers etc. It's natural progression isn't it?"
Not at all natural progression if by that you think you have to stop reading something good to move on. All the people I know who are really good at literature and really into literature appreciate the old alongside the new, the simple (if well told) alongside the more complex. The ones who think you have to stick to a certain type of books depending on your stage of progression often give up reading in their mid-teens because the books belonging to that supposed "stage" are so dreary. Several friends of dd have fallen into this category. The ones who carry on are the ones who are willing to experiment and read both books that are too "young" and books that are too "old" for them.
As I said, my dd was reading Thackeray's Vanity Fair (full version) and Noel Streatfield's Ballet Shoes in the same week (she was 12). A year later, she has read pretty well all of Jane Austen, a fair bit of Dickens, most of the Brontes' novels, some Wilkie Collins- but she still regularly rereads When Hitler Stole Pink Rabbit, because she knows a good book when she sees one. I also like to reread The Borrowers and The Three Musketeers as a change from medieval theology.
Goldilocks is no more a young theme than the themes from the Greek legends which I spent last semester exploring with undergraduates. Throughough the centuries, these stories have been enjoyed by adults and children alike: it is only the last few decades that have seen the idea that you need to show your development in some sort of set "progression". I blame the ORT (though still admitting to a sneaking fondness for Kipper's gran).
If you feel your dd can go beyond the simple tale, then why not ask her to do some of the following:
illustrate it (always makes you think of a story more in depth)
turn it into a play
think about how the story is told, e.g. the role of the number three- let her compare with other stories she knows and see how it works and what it does to the reader
why does the story end the way it does, tell her about the alternative ending, why does she think this has been changed
and let her practise reading it aloud as well as she possibly can: good performance skills are very important later in life, and Goldilocks is very good for voice practice
fwiw when your dd has grown a little older and more mature, assuming she is still into books, she is likely to look back on this and find that The Secret Five is in many ways far more babyish than the tale of Goldilocks