KS, just to respond to your post, which seemed to be directed at my estimation of him as a collector . . .Does being an ex-advertising guru mean that you have bad taste in art? (Maybe I misunderstood your point.) I could be wrong, but I suspect Saatchi is sort of a visual personas people in advertising often are, or learn to beand, yes, he has a keen business sense and a big pocket, hence the wide-buying. . .I won't deny that he knows how to market the choices he makes, though, so I'm sure even his "mistakes" have become over-inflated in terms of their acknowledged cultural importance. And I agree it will be years before we know how lasting his stuff is (though not if it keeps getting burned up in flames!). But one thing no one can deny, I think, is that he's put contemporary British art on the map in a major way. There was a time when everything big in the art world happened in NYC. I think that's pretty amazing, even if everyone decides in 10 or 20 or 50 years that everything he ever collected WAS crap after all.