I love this thread. I didn’t mind the 2022 Persuasion, it was mega arch and anachronistic but Ann Elliot just gets me every time. Admittedly hard to imagine Dakota Johnston anywhere close to an ‘old maid.’ Jane Austen did write Ann was very wry and intelligent and pretty I suppose.
That said it would be nice to see Not Austen. As previously mentioned Villette would also be an absolute banger, tragic, gothic and deranged.
Beware of Pity, by Stefan Zweig, would be interesting.
It’s about a young soldier who lets his ego run away with him with tragic results for all involved. Nice to see a period film with a male protagonist who isn’t a paragon of manly strength or an out-and -out villain. He’s just a young jock (of his era) who’s ill-equipped to handle a complicated situation. Maybe a bit misogynistic if you scan a synopsis but somehow doesn’t come across that way in the reading. It’s about how you should think about the potential impact of your ‘good’ actions rather than the way they make you feel. Imagine a 400 page AIBU with war, balls, carriages and black comedy.
I reckon it could be directed in such a way that the horrible attitudes of the time would go a long way in justifying the decisions made by certain female characters. Got to play the hand you’re dealt sort of thing.
Despite being set just before WW1 and written in 1939 the moral ambiguity and depth of characterisation feel very modern. Suppose that’s how you can tell great writing, the emotions feel timeless and universal, even if the precise circumstances would be unlikely to arise nowadays. Although social media and ‘cancel culture’ could be modern day equivalents to dishonouring one’s regiment and social disgrace.
Zweig is a big influence on Wes Anderson, sadly it mainly seems to be stylistic and tonal rather than the attention to psychological substance.