Played very excitingly (and excitedly) last night by the London Philharmonic. A slightly odd bill, as the first half was Pollini dancing exquisitely over Beethoven's Emperor - and then we had this great big Just How Many Different Effects Can We Do thing.
And I can't decide whether it is all fabulous (it's a piece I know inside out & have always loved the listening experience if that makes sense) or whether it is almost nearly crude. And, if the latter, whether that's because it is doing a message and not being abstract.
What do you think? Is there a famous essay or anything I should read about it?