I just listened to it (while planting potatoes in the gaps between violent squally showers, because, yes, my life is that glamorous), and I don’t think it gives any particular credence to the idea that SW’s agent was responsible for the untruths or manipulations of TSP.
Tessa Skola (she of the Tourmaline Ganesh😀) was given Jennifer Christie’s number by SW, whom she’d met at Polruan parties, because she’d been dropped by her own agent and SW told her she’d liked her first book, and they chatted, but TS says she’s not sure whether JC read her book or not, and at any rate didn’t sign her.
What TS seems to be stressing is that JC (whom she describes as ‘feisty’, ‘hard-hitting’ and ‘on the ball’) wanted something current, ‘was only interested in the latest sort of incident or catastrophe or something prevalent in the news’ so you could get out a book quickly and ‘grab the headline’.
I mean, I’m sure she’s telling the truth as she sees it (though she’s pretty vague about the conversation and doesn’t even remember the agent’s name), but I think she’s misunderstanding somewhat.
I mean, TSP wasn’t a book written about a current headline-grabbing catastrophe or crisis. Even if you see it as a book about homelessness, bluntly, even if it had been true, the Walkers’ purported experience bears no resemblance to the lives of the majority of homeless people. it’s not an ‘issue’ book, unless you really stretch it.
Plus I think JC was probably just explaining that she was not a good fit for Tessa Skola, a former cabaret dancer and actress with a sideline in yoga, new age stuff and wellness. Her first book, Bare, from 2011, was a memoir about being a cabaret dancer, and her second, The Sea (2019), seems to focus on the wellness/meditation part of her life. Both seem to be self-published. Bare is available in Kindle edition via Amazon, so you can read the free sample. She can certainly write, and the tawdry backstage cabaret stuff is interesting, but I imagine JC couldn’t see a future for her as a memoirist. She’d already used up most of her life material in two books that were already out there and hadn’t sold well.
https://www.tessaskola.com/
All agents are ‘hard-hitting’. They have to be. They only get paid when they sell a book. They’re hard-nosed salespeople. If you look at the Graham Maw Christie submissions guidelines, your online and SM presence and how you would help promote the book is centred as much as your outline and sample chapters. SW, or should I say ‘Raynor Winn’, didn’t have a SM presence until she signed with GMC, but I imagine JC thought the ‘story’ of TSP would sell itself. The homelessness, the terminal illness, the plucky underdogs stumbling ahead into an unknown future on the SWCP, carrying everything they owned etc etc. That was the ‘package’ she was selling.