Thank you to the people who shared the clips of SW performing. I didn’t get beyond fifty seconds into either, because they’re pretty much exactly what I imagined, minus the tambourine. Cringeorama.
Leaving aside TSP’s loose relationship to reality, what was in it for Gigspanner?
I know nothing about English folk, so I don’t know the musicians at all (that woman violinist has a beautiful voice) but can the draw of SW’s fame to audiences really have made reputable musicians with a lot of gigging experience think it was worth it to have somebody so obviously amateur up on stage reciting nonsense about the darkness stretching her soul?
And I was struck again by how difficult I find her to understand. It’s her difficulty in pronouncing both ‘r’ and ‘l’ sounds. If I hadn’t known that the tour was called Saltlines, because it appeared on screen in one of the clips, I wouldn’t have known that’s what she was saying.
Which is not to say, obviously, that people with speech differences shouldn’t be public performers (and I’ve encountered so many extraordinarily talented writers, particularly poets, who read their own work very badly), only that, as well as the fact that she’s obviously not used to performance, and the fact that the material is terrible, it seems to make her a deeply unlikely person to be recruited by a reputable band?