To ask for your favourite poem

[Rebeccaslicker]

I was just going to post this on the "middle aged woman is too old for fairy lights" thread - but it's being zapped for GF-ery!

So here is one of my favourite poems:

www.barbados.org/poetry/wheniam.htm

I like it because I think the imagery and the humour are fantastic. Anyone else like poetry? What do you like - I love reading poetry so would be great to find some new stuff :)

Land of Lost Content by A. E. Housman

Into my heart an air that kills
From yon far country blows:
What are those blue remembered hills,
What spires, what farms are those?

That is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again.

Can a parrot eat a carrot
whilst standing on its head?
If I did that, my Mum would send me
straight upstairs to bed.

• Spike Milligan

Lots of my faves here, though Keats To Autumn, George Herbert Love bade me welcome, in fact most George Herbert, some Donne but I’d like to add some verse about love:

Leigh Hunt on Jane Carlyle , light but touching,

www.davidpbrown.co.uk/poetry/leigh-hunt.html

One of the most moving, Milton about his dead wife,

www.poetryfoundation.org/poems/44746/sonnet-23-methought-i-saw-my-late-espoused-saint

And passion, superb description of orgasm and emotion by Sappho.

www.poemhunter.com/poem/he-is-more-than-a-hero/

i remember a poem from school about a man going to visit his newborn who who was born with down syndrome.....can never remember the name!

I adore Wendy Cope.

Two of my favourites are After The Lunch as already mentioned, and also The Lady of Shalott, which I think has been mentioned too.

Also this one:

Giving up Smoking, by Wendy Cope

There's not a Shakespeare sonnet
Or a Beethoven quartet
That's easier to like than you
Or harder to forget.

You think that sounds extravagant?
I haven't finished yet —
I like you more than I would like
To have a cigarette.

I mean two of my favourite poems. Obviously I know The Lady of Shalott isn't by Wendy Cope.

Clumsy wording from me there!

TWO roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

An’ a so de rain a-fall
An’ a so de snow a-rain

An’ a so de fog a-fall
An’ a so de sun a-fail

An’ a so de seasons mix
An’ a so de bag-o’-tricks

But a so me understan’
de misery o’ de Englishman.

“A song for England” - Andrew Salkey

Also this one:

There are worse things than having behaved foolishly in public.
There are worse things than these miniature betrayals,
committed or endured or suspected; there are worse things
than not being able to sleep for thinking about them.
It is 5 a.m. All the worse things come stalking in
and stand icily about the bed looking worse and worse and worse.

"Things" -Fleur Adcock

Nervousrex, I remember you posting "The two headed calf" on a previous thread, it has stayed with me in my mind's eye ever since. Thank you.

Another favourite is "The farmer's bride" by Charlotte Mew.

The Contradiction

The absence contradicts itself:
the missing conjures what we miss.
You are not here, I’m not myself,
but still I talk to you like this.

You’re in the crowd, the news, the glimpse –
I make you there when you’re not there.
I trace your steps, I map your face,
I say your name, see you in air

You’re all I know and so unknown.
I cannot hold you, yet I do:
please let me hold you in my head
and where you are now, hold me too.

How can you be so near and far?
You are not here. But here you are.

Clare Pollard

basher77 you're thinking of The Almond Tree by Jon Stallworthy. I can't get through this without weeping.

(I've removed two words from the poem and replaced them with a series of stars - not meant offensively by the author but a term for down's syndrome now considered very offensive).

"The Almond Tree"

All the way to the hospital
The lights were green as peppermints.
Trees of black iron broke into leaf
ahead of me, as if
I were the lucky prince
in an enchanted wood
summoning summer with my whistle,
banishing winter with a nod.

Swung by the road from bend to bend,
I was aware that blood was running
down through the delta of my wrist
and under arches
of bright bone. Centuries,
continents it had crossed;
from an undisclosed beginning
spiralling to an unmapped end.


II

Crossing (at sixty) Magdalen Bridge
Let it be a son, a son, said
the man in the driving mirror,
Let it be a son. The tower
held up its hand: the college
bells shook their blessings on his head.


III

I parked in an almond's
shadow blossom, for the tree
was waving, waving at me
upstairs with a child's hands.


IV

Up
the spinal stair
and at the top
along
a bone-white corridor
the blood tide swung
me swung me to a room
whose walls shuddered
with the shuddering womb.
Under the sheet
wave after wave, wave
after wave beat
on the bone coast,
bringing ashore - whom?
New-
minted, my bright farthing!
Coined by our love, stamped
With our images, how you
Enrich us! Both
you make one. Welcome
to your white sheet,
my best poem.


V

At seven-thirty
the visitors' bell
scissored the calm
of the corridors.
The doctor walked with
to the slicing doors.
His hand is upon my arm,
his voice - I have to tell
you - set another bell
beating in my head:
your son is a <strong>*</strong><strong>*</strong>
the doctor said.


VI

How easily the word went in -
clean as a bullet
leaving no mark on the skin,
stopping the heart within it.

This was my first death.
The 'I ' ascending on a slow
Last thermal breath
studied the man below

as a pilot treading air might
the buckled shell of his plane -
boot, glove and helmet
feeling no pain

from the snapped wires' radiant ends.
Looking down from a thousand feet
I held four walls in the lens
of an eye; wall, window, the street

a torrent of windscreens, my own
car under its almond tree,
and the almond waving me down.
I wrestled against gravity,

but light was melting and the gulf
cracked open. Unfamiliar
the body of my late self
I carried to the car.


VII

The hospital - its heavy freight
lashed down ship-shape ward over ward -
steamed into night with some on board
soon to be lost if the desperate

charts were known. Others would come
altered to land or find the land
altered. At their voyage's end
some would be added to, some

diminished. In a numbered cot
my son sailed from me; never to come
ashore into my kingdom
speaking my language. Better not

look that way. The almond tree
was beautiful in labour. Blood-
dark, quickening, bud after bud
split, flower after flower shook free.

On the darkening wind a pale
face floated. Out of reach. Only when
the buds, all the buds were broken
would the tree be in full sail.

In labour the tree was becoming
itself. I, too, rooted in earth
and ringed by darkness, from the death
of myself saw myself blossoming,

wrenched from the caul of my thirty
years' growing, fathered by my son,
unkindly in a kind season
by love shattered and set free.

---

You turn to the window for the first time.
I am called to the cot
to see your focus shift,
take tendril-hold on a shaft
of sun, explore its dusty surface, climb
to an eye you cannot meet.

You have a sickness they cannot heal
the doctors say: locked in
your body you will remain.
Well, I have been locked in mine.
We will tunnel each other out. You seal
the covenant with a grin.

In the days we have known one another,
my little love,
I have learnt more from your lips
than you will from mine perhaps:
I have learnt that to live is to suffer,
To suffer is to live.

The Contradiction one is written about a missing child.

Last one!

I have seen flowers grow in stony places
And kind things done by men with ugly faces
And the gold cup won by the worst horse at the races,
So I trust too.

John Masefield

The blue bell wood or swallows scything by Felix Dennis.

Enjoying all the wonderful poems on this thread. Have loved this one by WB Yeats since I was a teen and it grows more poignant as the years pass:

When You are Old

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.

I cross stitched this for my first born niece in 1992

If I could capture the moment of your birth
or the happiness that filled me with your first cries
then i could encase it,
To gaze upon its shining light in moments of unquiet.
If i could weave a blanket from the purity of your heart and soul
and spread it over the earth that all might know this hope and joy
you are here now to set your mark on the world.
while I live, I will try without intrusion
to guide, guard and protect you.
Ever watchful yet not hindering your progress
and when my weary bones are to dust,
my love will surround you from the shadows.

Mine is a haiku.

" Since my house burned down
I now own a better view
Of the rising moon"

• Mizuta Masahide

By Edward Thomas

As the team's head-brass flashed out on the turn
The lovers disappeared into the wood.
I sat among the boughs of the fallen elm
That strewed the angle of the fallow, and
Watched the plough narrowing a yellow square
Of charlock. Every time the horses turned
Instead of treading me down, the ploughman leaned
Upon the handles to say or ask a word,
About the weather, next about the war.
Scraping the share he faced towards the wood,
And screwed along the furrow till the brass flashed
Once more.

The blizzard felled the elm whose crest
I sat in, by a woodpecker's round hole,
The ploughman said. 'When will they take it away? '
'When the war's over.' So the talk began –
One minute and an interval of ten,
A minute more and the same interval.
'Have you been out? ' 'No.' 'And don't want to, perhaps? '
'If I could only come back again, I should.
I could spare an arm, I shouldn't want to lose
A leg. If I should lose my head, why, so,
I should want nothing more...Have many gone
From here? ' 'Yes.' 'Many lost? ' 'Yes, a good few.
Only two teams work on the farm this year.
One of my mates is dead. The second day
In France they killed him. It was back in March,
The very night of the blizzard, too. Now if
He had stayed here we should have moved the tree.'
'And I should not have sat here. Everything
Would have been different. For it would have been
Another world.' 'Ay, and a better, though
If we could see all all might seem good.' Then
The lovers came out of the wood again:
The horses started and for the last time
I watched the clods crumble and topple over
After the ploughshare and the stumbling team.

Do Not Go Gentle Into That Good Night

Do not go gentle into that good night, 
Old age should burn and rave at close of day; 
Rage, rage against the dying of the light. 

Though wise men at their end know dark is right, 
Because their words had forked no lightning they 
Do not go gentle into that good night. 

Good men, the last wave by, crying how bright 
Their frail deeds might have danced in a green bay, 
Rage, rage against the dying of the light. 

Wild men who caught and sang the sun in flight, 
And learn, too late, they grieved it on its way, 
Do not go gentle into that good night. 

Grave men, near death, who see with blinding sight 
Blind eyes could blaze like meteors and be gay, 
Rage, rage against the dying of the light. 

And you, my father, there on that sad height, 
Curse, bless, me now with your fierce tears, I pray. 
Do not go gentle into that good night. 
Rage, rage against the dying of the light.

Dylan Thomas

One of my all-time favourites:

You’re
BY SYLVIA PLATHH_
Clownlike, happiest on your hands,
Feet to the stars, and moon-skulled,
Gilled like a fish. A common-sense
Thumbs-down on the dodo’s mode.
Wrapped up in yourself like a spool,
Trawling your dark as owls do.
Mute as a turnip from the Fourth
Of July to All Fools’ Day,
O high-riser, my little loaf.

Vague as fog and looked for like mail.
Farther off than Australia.
Bent-backed Atlas, our traveled prawn.
Snug as a bud and at home
Like a sprat in a pickle jug.
A creel of eels, all ripples.
Jumpy as a Mexican bean.
Right, like a well-done sum.
A clean slate, with your own face on.

And another favourite:

The Thought Fox
I imagine this midnight moment's forest:
Something else is alive
Beside the clock's loneliness
And this blank page where my fingers move.
Through the window I see no star:
Something more near
Though deeper within darkness
Is entering the loneliness:
Cold, delicately as the dark snow
A fox's nose touches twig, leaf;
Two eyes serve a movement, that now
And again now, and now, and now
Sets neat prints into the snow
Between trees, and warily a lame
Shadow lags by stump and in hollow
Of a body that is bold to come
Across clearings, an eye,
A widening deepening greenness,
Brilliantly, concentratedly,
Coming about its own business
Till, with a sudden sharp hot stink of fox
It enters the dark hole of the head.
The window is starless still; the clock ticks,
The page is printed.

And another favourite:

The Thought Fox
I imagine this midnight moment's forest:
Something else is alive
Beside the clock's loneliness
And this blank page where my fingers move.
Through the window I see no star:
Something more near
Though deeper within darkness
Is entering the loneliness:
Cold, delicately as the dark snow
A fox's nose touches twig, leaf;
Two eyes serve a movement, that now
And again now, and now, and now
Sets neat prints into the snow
Between trees, and warily a lame
Shadow lags by stump and in hollow
Of a body that is bold to come
Across clearings, an eye,
A widening deepening greenness,
Brilliantly, concentratedly,
Coming about its own business
Till, with a sudden sharp hot stink of fox
It enters the dark hole of the head.
The window is starless still; the clock ticks,
The page is printed.

And another favourite:

The Thought Fox
I imagine this midnight moment's forest:
Something else is alive
Beside the clock's loneliness
And this blank page where my fingers move.
Through the window I see no star:
Something more near
Though deeper within darkness
Is entering the loneliness:
Cold, delicately as the dark snow
A fox's nose touches twig, leaf;
Two eyes serve a movement, that now
And again now, and now, and now
Sets neat prints into the snow
Between trees, and warily a lame
Shadow lags by stump and in hollow
Of a body that is bold to come
Across clearings, an eye,
A widening deepening greenness,
Brilliantly, concentratedly,
Coming about its own business
Till, with a sudden sharp hot stink of fox
It enters the dark hole of the head.
The window is starless still; the clock ticks,
The page is printed.

Not sure what happened there, sorry.