There's something about that Catherine Bennett article that annoyed me, and I've been trying to puzzle out what it is.
I was thinking of where she goes off on one about other authors who have behaved badly and been forgiven - but I don't think her examples really work. She's talking about John Le Carre and Cormac McCarthy, and what's emerged about them after their deaths.
But - and I'm not defending them - I don't think it's the same.
What we know about Le Carre is that he was a serial adulterer. This wouldn't be a big surprise to anyone who's read his books. Adam Sisman reckons he identified 11 mistresses, and I have reason to think that's a conservative estimate. But unless there's something nasty I'm not aware of, I haven't heard about anything non-consensual. I don't imagine his late wife was thrilled, but that just leaves us with the story of a rich and charming old man shagging any younger woman who was willing, which might be the most boring thing you can say about JLC.
McCarthy is closer to the mark because of his relationship with Augusta Britt - even if Britt, decades later, says it wasn't predatory, I don't think any of us will say that we're fine with a 42 year old man copping off with a 16 year old girl. But I've not heard of this being a pattern of behaviour with McCarthy, unless more examples emerge.
It's also relevant that they both fall into the dad lit category. I've rarely met a JLC fan who is either female or under 40. The teenage goth girls lining up for Gaiman events would probably not have heard of either of them.
As PP have mentioned, SFF fandom is full of young people who have lots of vulnerabilities - autism, mental health issues, just social awkwardness - and who may not be on their guard against dodgy men.
I think there's still an unwillingness to admit that Gaiman is a serious outlier. Not just his pattern of behaviour with multiple young women over decades, but also the whiff of manipulation there's always been about him. The carefully crafted persona, the cultivation of other writers and artists, the white knighting about what a great ally and voice for survivors he was...
...it feels like he was grooming a whole audience which could provide him with a supply of victims, and also grooming the rest of us to be character witnesses for him.
And even those of us who got a creepy vibe from him didn't imagine the reality.
I can see why Catherine Bennett wants to find a pattern and ask why we're treating him differently - but I can't quite decide if she's minimising the case against Gaiman, or making men who were a bit sleazy but not on the Gaiman scale look worse than they really were.