Hi, sorry I've been off list for a few days. Not sure what else I can say here and now, but to clarify a few points: the knicker workshop and bunting was a small part of the carnival, and I think it is relevant and important - and political - but we were working on many fronts and there was much else on offer, including the more obviously political, including papers, petitions, and performances about women and sexual violence and many other aspects of women's lives.
It's been extremely useful to get an idea of what people who didn't attend the carnival might have liked - thanks so much to you all and to mumsnet, as this info and advice isn't usually available. I conceived the carnival, and was part of a team who designed and organised it, but we can only include what people offer (or we can persuade people to do). We had a very open call-for-presentations aimed at artists, activists, academics, community workers and 'everyone with an interest in arts and gendered change' so I hope next time people here will offer stuff, or suggest people or strands. The carnival worked (and it did - the feedback was exhilarating ) because so many amazing people came together and took a risk in exploring ideas together, to then go back into the world to keep up the feminist fights and to start new projects because of coming together and listening and talking and passing on info. I want the next carnival to be even better, and I have learnt a lot.
A few other points: I am still at a loss to know why 'changing meanings' isn't seen as important by anyone who wants to change the society we live in - what's the point of ever talking to anyone if you are not open to change; plus winning people's hearts and minds about pay, violence, and so many other vital issues is part of cultural and societal transformation. 'Doing' without 'thinking' is what causes so many problems (and really thinking means being prepared to be surprised at what you discover); we need both, surely ...?
I definitely agree the carnival pricing scheme could have been clearer - in our desire to make the event economically accessible to many (via sliding scales, donations, and subsidized& free places) it ended up being quite complex, and defeated some of its object.
We wanted many more community events, but this was the most we could do with the people we had organising (really, we were often working 16 hour days to make this happen, and all working in our ?spare time? - I have a 50% contract, for instance, and others were students or retired).
And finally, if anyone is interested in social and community art, but didn?t find value in the knicker project, you might like this one, organised by one of the carnival participants: www.isbigsocietyworking.co.uk