Like others, reading is my default mode but one of the best things about this thread is the diversity. I also don't have kids and spent most of last year too under the weather (physically or mentally) to do other things, including concentrate on films/shows/games. Much of what I read is fluff that I'm sure some here (politely and privately) would turn their noses up at (note deleterious effect on grammar) 😅
And everyone also has their own counting system, so it doesn't feel at all competitive. It does motivate me to get better at writing reviews though 
1 Eleanor Farjeon - Miss Granby’s Secret: or, The Bastard of Pinsk
Originally published in 1940, this is the latest reissue from Furrowed Middlebrow (itself revived, yay), and it was a lot of fun; that rare type of book written to amuse without being too fluffy/twee. I’d only previously encountered EF as a traditional, sentimental Victorian children’s writer and poet (e.g. of the hymn ‘Morning Has Broken’) so was surprised to find this adult novel so mischievous, experimental and - as a deliberate period piece - not even particularly dated-feeling.
The frame narrative is itself set in the past, opening in 1912 when thoroughly modern Millie Pamela inherits a box of papers on the death of her Aunt Addie aka Miss Addelaide Granby, a prolific writer of Victorian romances that were once wildly popular but in recent decades dismissed as ‘Rather Dated’ - including by her ‘advanced’ Young Fabian niece, whose offers to explain the facts of life to her maiden aunt were never taken up. Miss Granby’s secret must be pieced together from various documents, including her will; assorted letters, poems and diaries; and a draft of The Bastard of Pinsk, her first (unpublished) novel, written in 1849 as a very sheltered 16 y.o. This is included in full along with the author’s notes and queries and it soon becomes evident that she’s working with her own idiosyncratic definition of ‘bastard’, for a start. Half the book is taken up by this pastiche, and I can see it irritating some, but having a high tolerance for 19th C gothic nonsense, I LAPPED IT UP 10/10 would read more Miss G.
I won’t spoil TBoP* or the frame narrative, which ends around 1932, so will just say that it was more complex and ambiguous than expected - even slightly convoluted, so not quite a bold. Although definitely a comedy overall, and often lol funny, everyone was fair game so the humour never felt mean-spirited. (Also nothing of the dark bite of Elizabeth Taylor -* Angel if anyone else noticed the similarity.) The Blitz context in which it was written also gave the depiction of intergenerational difference and cultural change added poignancy.