Persuasion has always been my favourite Jane Austen novel, largely because when I first read it aged 17 I did identify with Anne (to an extent, anyway). It also had a lot to do with the opening paragraph (I've bolded the phrase that reeled me in):
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, <strong>he could read his own history with an interest which never failed</strong>. This was the page at which the favourite volume always opened:
“ELLIOT OF KELLYNCH HALL.
Sir Walter jumped off the page for me at this point and I was hooked.
I read South Riding by Winifred Holtby in 1974 when it was being dramatised on TV (Dorothy Tutin, Nigel Davenport, fantastic supporting cast, absolutely wonderful adaptation) and it has remained one of my absolute favourites ever since. I suppose with advancing years I've identified more with the elderly Alderman Mrs Burrows than I used to. I like the way she's made the best of a life that could have been very unhappy. Hher husband is a peripheral character, very lightly sketched in, but he also jumps off the page and we know from just a few short details that he is a mean little man in every respect. How she put up with him, I don't know, but of course in the early part of the 20th century most women had no real choice about that. Pragmatism vs idealism is a pretty good framework for a novel - it isn't quite as simple as youth vs age, but not far off.