- The L-Shaped Room: Lynne Reid Banks.
Read last month for the Rather Dated Bookclub. Set in the late 1950s, Jane Graham is pregnant and on her own after being thrown out of home by her father. She is determined to punish herself and so rents a tiny bedsit at the top of a dingy boarding house in Fulham. At first determined to live completely by herself, she gradually makes friends with other lodgers, other misfits like herself, on whom she comes to rely more and more as the months go by and her situation becomes more difficult.
I thought this was a very absorbing story and I enjoyed it very much despite the flaws in the book; namely the racist treatment of the character of John and the casual antisemitic language which were both deplorable.
- Audiobook: A BBC Radio Full-Cast Drama Collection: Elizabeth Bowen.
Borrowed from Borrowbox. This featured adaptations from various novels and short stories by Elizabeth Bowen including 'The Heat of the Day, 'The House in Paris', 'The Last September' and two of her short stories. It concludes with a talk by Bowen on what constitutes a good novel.
I enjoyed this very much. Good narration and acting, easy to follow (except for one of the short stories) and set to music of the period. Atmospheric. I also liked the talk by Bowen. The only thing is you feel that you're missing out on some of the detail as it is condensed and the motivation of the characters isn't always clear. Therefore, I decided to start to read these novels. I know 'The Last September' already, so I went with 'The Heat of the Day'.
- The Heat of the Day: Elizabeth Bowen.
Set in London during the second world war, this is the story of a love affair between Stella and Robert. They don't know each other particularly well, but have been thrown together in the chaos of the war and find solace in each other's company while the bombs fall around them. Enter the mysterious Harrison, who tries to warn Stella that Robert is spying for the other side and to urges her to break it off with him and start a relationship with him instead. This turns into a sort of uncomfortable sort of love triangle in the dark glamour of war-torn London. The minor characters of Stella's son Rodney, dreamy Louie and practical Connie complete the cast.
This is a tense and highly-charged read. Part love story, part spy story, part psychological study, it's a difficult one to categorise, but it works. However, I didn't always find it easy to read. It demands your full concentration. Bowen's writing style is highly charged. It's full of vivid imagery and long contemplative passages. The descriptions of daily life in London during the war are excellent and I think are the best feature of the book. Chapter five in particular is really brilliant, just stunning.
The interaction between various characters was good but frustrating at times. It's hard to say why, but it felt obscure owing to uncertainty around things not said, deeds not done, actions not taken. Perhaps it was consistent with living from day-to-day in a time of confusion and not knowing who anyone was or who to trust. She is a very clever writer. This book requires patience, but if you can stick with it, it is a compelling and rewarding read. I'll wait a while before reading another one, most likely 'The House in Paris' next, but not for a while as I need a change from Bowen.