Recent reads, no bolds:
The Librarianist - Patrick deWitt
A duel between deWitt's writerly fireworks and the uneventful life of a resolutely drab protagonist, ironically named 'Bob Comet' - typical deWitt. I have a high tolerance for little-happens-in-sparkling-prose but did facepalm the second time something finally happened, and we immediately cut away to another vignette set decades earlier. But the 1945 section ended up being my favourite - implausibly eccentric characters, vaudeville patter, imminent riot - though it could have been highly irritating with dare-you-to-DNF bits like:
“…our latest work, which consists of a series of somewhat-connected vignettes. Do you know what a vignette is?...It’s a story that’s too small to be called a story, so you call it a vignette. By pretending you’ve made it small on purpose, you avoid the shame that accompanies culpability. Do you know what culpability is?...It’s the bill coming due. This work is not our strongest. It is not bad work, but it doesn’t have the power of our past labors.”
Definitely A Minor Work, and not the place to start with deWitt; even for fans, best saved for a sunny mood.
Fire Weather - John Vaillant
An excellent 5 star book about the 2016 Fort McMurray fire, and the context of the Canadian bitumen industry, diluted with mediocre 2- and 3 star books on Climate Change 101, Fire 101, the story of oxygen (from the Great Oxygenation Event through Lucretius, Priestley et al.), the rise of petrochemical corporations, colonialism, scientific misinformation, etc. etc. There were some brilliantly effective turns of phrase, striking images and telling details from the disaster, and the central analogy linking fire/corporate/human omnivorous consumption and aspiration was clever, but it was excruciatingly long and all the extraneous stuff unskippable on audio.
Surprised this won the Baillie Gifford prize last year - it's the fourth I've read from the shortlist so far and I'd rank it dead last.
Murder in the Family - Cara Hunter
Centred around a fictional true crime documentary series reopening a decades-old cold case: the murder of a 20something Australian man who’d recently married a wealthy older woman, whose body was discovered in the (posh) family home by his young stepchildren - one of whom is directing the show. Mostly presented as the shooting scripts of the documentary, with various messages between the expert panellists assembled to investigate, reviews and social media commentary after each episodes cf. The Appeal. I quite like Cara Hunter’s police procedurals but this was utterly preposterous style-over-substance stuff clearly designed to elicit TikTok reactions.
DNFs:
The Walnut Tree: Women, Violence and the Law - Kate Morgan interesting subject, prose unfortunately true to its title, both wooden and weirdly bumpy.
Code Dependent - Madhumita Murgia (WP shortlist) The first chapter on the 'pyramid base' of global tech workers was good but for anyone who even casually follows related news, this rapidly descends into a load of stating the bleeding obvious in clumsy prose ('aesthetic' as an adjective, 'veering on' for 'verging on' just two examples from opening the book at random).
I'm also midway through both Hugo and Intl. Booker shortlists, but will group those reviews together, on another day. No bolds from either, so far.... beginning to think problem may well be me 😅