@ÚlldemoShúl I think I recommended Midnight at Malabar House - really glad you enjoyed it as I loved it too! The next two in the series are also great; not read the 4th as yet.
@TattiePants agree with @Sadik that the other books in The Dark is Rising series are on another level from Over Sea Under Stone. The Dark is Rising itself is the next one and is brilliant, but I think best read around Christmas as it is set then and it really helps the atmosphere.
Really enjoyed my latest two reads:
10 Liza's England by Pat Barker
Liza Jarrett was born at the same moment as the 20th century, and we meet her aged 84 in the middle of Thatcher's Britain. Through her own eyes and those of her social worker, Stephen, we are taken through her life on a Northern, working class street, starting and eventually reverting to her as the last woman standing before the condemned houses are demolished. Liza is a fantastic character (if perhaps in places a little too good to be true), and her messy, complicated family and neighbours are drawn to perfection in all their shades of grey. Stephen ends up as a bit of a cipher, which could have been annoying, but I didn't really mind as this is primarily about Liza - although he does get his own moments. Reading this, I realised it's been a long time since I read a book set in the 80s, which is starting to feel like a foreign country. Without being sentimental, Barker writes with love and anger about the experience of Northern working class women in particular throughout the century. The ending in the harsh realities of early 1980s life is not optimistic, but feels real and immediate even 40 years on.
11 Winter by Ali Smith
I read this in one fell swoop whilst lying in bed with a nasty cold yesterday evening, and I kind of feel that's how everyone should read it. It's a bit of a fever dream of a book, with floating heads and chunks of earth and a general feeling of furred edges eating away at your consciousness. But it is also a lovely dissection of relationships between sisters and sons and nephews and how they break down and knit back together again. Everyone in the book is a bit annoying but (in my view at least) relatable. To me, the political aspects (Brexit, Trump) felt rather shoehorned in to this book in a way they didn't in Autumn, but I was able to let them drift over me so they didn't ruin the overall atmosphere. I have a very clear vision of Sophia's house and barn and I'm always impressed when authors are able to achieve that.