Hello to you both! I'm so happy to see you're both still here!
@SerafinasGoose I'm v curious to know a little more about your modernists projects if you're ok to share anything about them?
@BaronMunchausen what have you been reading in the past year? Anything you'd recommend?
Since finishing Ulysses in June 24 I went to the summer school in Trieste & spent a week immersed in all things Joyce which was fab. Don't know if either of you have been before but I really enjoyed it
Since then I've read a lot of contextual books & I'm.really enjoying diving deeper & deeper down that rabbit hole.
I've read
Ellman's Joyce (had started & abandoned in 23 in favour of reading the text itself)
My Brother's Keeper Stanislaus Joyce
Here comes everybody Anthony Burgess
The Years of Bloom John McCourt
James Joyce Chester Anderson
The Monto Terry Fagan
Joyce in Art
Araby House Michael Quinn
James Joyce Edna O'Brien
James Joyce in Ostend Xavier Tricot
I'm currently reading Sylvia Beach & The Lost Generation Noel Riley Fitch
Along with the Gabler edition of Ulysses for the Course & I'm also reading the penguin annotated student edition & I'm enjoying the notes in this one
Always happy to have more recommendations though!
We've been considering the theme of 'from the cave of the cyclops: ideas of self & nationhood' in this years reading..
I'm picking up so many more parallels between Stephen & Bloom this time round.
I love that in Protues Stephen is wrestling with ideas of becoming- conception, the vastness of what went before we 'are' & the umbilical cord telephone all the way back to Eve, connecting everyone with the past
In Hades Meanwhile at the same time, 11am Bloom is grabbing with what happens after we die - & imagine the telephones in coffins, connecting the dead with the present. They're bookending our short human existence in a v pleasing way which I hasn't noticed before.
We had a guest presenter last week for Hades & he spoke about the references to the sculptures of famous people referenced along the cortege route to glasnevin & how they give a history of the emergency of irish nationalism & the key figures who played a role
Where as Stephen is stuck with Deasy who is a loyalist & proud representative of the empire - lots of references of a different national identity for ireland / dublin in this episode.
Stephen says history is a nightmare from which he is trying to waken
Both Stephen have misascribed nationalities or identities given to them that they don't feel themselves.
Deasy says he supposes Stephen is a fenian
The other men are v aware of Bloom's 'jewishness '
These are some of the things I've been thinking about in the past week