Bit of a round up.
10. The Marmalade Diaries, by Ben Aitken. When looking for a room in London, Ben finds a suspiciously cheap option; this is because he will be sharing a house and providing companionship to 85-year-old Winnie, recently bereaved. Little did they know that lockdown would begin shortly after Ben moved in. The pair cautiously build an unlikely friendship as the months go by. This is a little curiosity; gentle, real, lovely. Winnie springs off the page, although strangely, Ben is more of a cipher. I think someone else on the thread recently enjoyed this and I did too.
11. Really Good, Actually, by Monica Heisey. The anti-Sally Rooney. Lost woman in her late twenties - check. But otherwise, this is worlds apart, and really, genuinely funny. At 29, Maggie has been in a relationship all her adult life, and is now a 'surprisingly young divorcee' (and a mess). Being twenty years older, this bears no resemblance whatsoever to my life; however I couldn't help but love her as she staggers her way to discovering who she really is and what she values. This is written with a pretty dry sense of humour, and I wonder if the humour doesn't translate for US readers, given some of the savage goodreads reviews.
12. Signal Fires, by Dani Shapiro. Achingly beautiful, both the writing and the ideas. It's short but fully immersive and I want to go back immediately and savour every word all over again. A car accident has far-reaching ramifications for one family, and this book traces them and some of their neighbours down the years. The timeline jumps around a lot, but this is an intentional echo of a central idea that all of time is happening at once and is not linear. I adored this but it has lots of character and not a lot of plot, so beware if that isn't your cup of tea. For anyone that likes family sagas, this may be a hit.
13. The Writing Retreat, by Julia Bartz. Absolutely batshit - one of the blurbs described it as "bonkers in the best way" which seems accurate! Our protagonist Alex finds herself at a monthlong retreat at the spooky estate of a bestselling horror writer. There are five attendees, one of them Alex's former best friend, and upon arrival they find they have to write an entire book over the course of the month, with the best winning a seven figure publishing deal. Madness ensues. I think I must have got it confused with another book because I was expecting a nice quiet book where writers at a retreat politely pit themselves against each other, but instead I got a thriller with overtones of gothic horror. I'm not sure whether I recommend this or not because it was SO wild, but I read it in two days and it was absolutely gripping, so if you don't mind an absolutely unhinged plot it might be for you?!