- The Whalebone Theatre: Joanna Quinn.
Set in Dorset during the 1920s, the story follows the adventures of Christabel and her step-siblings who set up a theatre in the bones of a beached whale. The children are pretty much left to their own devices while their parents or step-parents enjoy a decadent lifestyle. When WW2 breaks out, they become involved in the war effort. Two of them become undercover agents in France and one stays behind to manage the big house.
I thought the author succeeded in evoking a vivid description of this time period. It was well researched and included extracts from magazine advertisements and slogans from posters. Quinn also played around with the text layout for added effect and included diary extracts from the maid (eye dialect alert!), letters and scrap book entries.
That might sound a bit gimmicky, but it wasn't overdone. The book was long in length and leisurely in pace. It got a bit exciting in Act Five (the theatre metaphor ran through the book and there were many references to uniforms as costumes and playing a role). That was a bit heavy-handed.
I thought the character development was a bit thin. The children were already little adults at six, seven and twelve years old, so it seemed they were just bigger versions of themselves in the second half of the book. I think the author played it a bit safe in some ways. Nobody got compromised, it was a bit too cosy. It drew me in towards the end when it really became a matter of life or death.
Overall, I thought this was a good but not a great read. It requires some patience on the part of the reader. There is the issue of the narrative in the present tense, which is annoying until you get used to it. As it is a book of two parts, it might have worked better as two separate books, perhaps with a little more scope for expansion, but there were good moments so maybe I'm being overly critical.