27. Charlotte, Helen Moffett
I know that the concept of a Pride and Prejudice spin-off is enough to make some of you run for the hills. I'm OK with the idea - I like the sensation of stepping back into a familiar world with characters that we know - but it does have to be done well.
So, is this one done well? It's hard to say, in that some bits of it are done really well, and other bits are just awful. Just a warning that I am going to spoiler a bit.
Moffett is really successful in her focus on Charlotte Lucas, and her marriage to Mr Collins - a fate which leaves most readers of P&P saddened, and reminded of the difficult choices that faced women who were neither rich nor pretty, and who relied on marriage for access to security and a home. Here we have a portrait of Charlotte recognisable from the original Austen; sensible and practical, she goes into her marriage with eyes open, and gains genuine happiness in the peace and comfort of the her new home, her garden, and most of all, her independence. Mr Collins is an idiot, yes, but essentially good-hearted - there's a scene (set within the P&P timeline) where Charlotte sits near him at dinner and sees how he gabbles away nervously; after Lizzie cuts him down with a witty remark, Charlotte draws him out with kinder attention and finds him much more likeable. I will admit it's a while since I last read P&P but this all seemed believable to me, a good and valid take on the original. The Collinses lose a child, their only son, and Moffett writes well about grief (she writes that she started the book while she herself was grieving) as well as cleverly linking the fate of the Collins girls back to the situation of the Bennet girls in P&P - brotherless, they will eventually lose their home (which of course, will be Longbourn, although it isn't yet).
All of this is very nice, it works. Unfortunately, the quiet story of married life doesn't provide enough excitement, and this is where Moffett decides to bring in two big clumsy Plot Elements:
- Miss de Bourgh - you remember, Lady Catherine's sickly daughter who was supposed to marry Darcy? Well, it turns out she sneaks out at night, dresses as a man so she can visit taverns, and is a raving feminist who has "never longed for union with any man; the truth is that I shudder at the idea". Having introduced her, Moffett then leaves her out of the action, only appearing as the author of a series of letters until she's brought back at the end to wave a magic wand and make something happen.
- A sexy Austrian piano tuner who comes to Pemberley to tune Georgiana Darcy's harpsichord and ends up plucking Charlotte's strings after he seduces her by introducing her to the latest new music by Herr Mozart. Unfortunately he is utterly wet, and says very little. He does jump in a lake with his shirt on at one point (having read the author's end notes I am sure this is a deliberate wink to Colin Firth) but has zero chemistry with Charlotte despite the fact that he's obviously just been chucked into the plot as a love interest.
Once we move outside the Collins' marriage and home, the whole thing starts to feel like rather dubious fanfic. Despite Moffett's careful research (and many many references to items of furniture, garden design etc), it doesn't feel English, or regency. The book's sense of geography makes little sense (who stops in Kent on the way to London unless they are coming from France?) and I really missed the presence of the English countryside and weather which adds so much to Austen's writing. You can tell that Moffett is a genuine and knowledgeable fan of Austen's writing, but you can also tell that she doesn't know England very well and is writing it from her imagination, which isn't really much like the real thing. This is a shame as I felt there was a much better book here waiting to get out.
(I have to mentioned that there's also a really wierd moment where Charlotte's adult daughter pisses on her baby brother's grave... I think it's because she has started to hang out with Gentleman Jack Ann de Bourgh wearing men's clothing and this is part of her "masculine" behaviour but it's just bizarre?)
(You also find out what it's like to have sex with Mr Collins. This is actually worse than the Bill-Hillary sex in Rodham )