22. Findings, Kathleen Jamie
Thank you to everyone here who recommended Kathleen Jamie. I would never have picked this up otherwise, I'm afraid to say - a female Scottish poet writing about wildlife just sounded too worthy and dull. WELL HOW WRONG COULD I BE?
This is just beautiful, both down-to-earth and transcendent. Each chapter has a different topic - some about trips that Jamie makes (to an uninhabited island, to an ancient burial site) and others about wildlife that she spots during her daily life, looking out the window while she unloads the tumble dryer. The language is beautifully clear, like a stream, not show-offy, not attention-seeking, but flowing and luminous; it runs so effortlessly that you almost don't notice it until suddenly an image will stop you and then you find that you're surrounded by beauty, carefully-chosen words that are just so right in their places. I've already bought this as a gift for two people since finishing it - definitely my best book of the year so far and will take some beating.
23. Nine Folds Make a Paper Swan, Ruth Gilligan
This book opens in 1901 with a Jewish family, cramped into dark bunks on the ship that is taking them from Lithuania to a new life in America. They reach port, there's confusion, it's dark, and somehow it isn't until the next day, after a night in a boarding house, that they realise that they're not in New York at all, but in Cork.
There are three stories in this book: Ruth, who arrives on the boat and grows up to be a Dublin midwife; Shem, a Jewish boy living in a psychiatric institution (though this being 1950s fictional Ireland, it's more of a racist prison run by cruel nuns); and finally Aising, a modern day young Irish (Catholic) woman who falls in love with a Jewish boy from North London. The alternating storylines work well here (not always the case) and the connections between the characters are subtle. I did find it a bit frustrating that Gilligan holds some things back from the reader in a way that feels awkward (Shem has lost the power of speech involving a traumatic experience involving his mother, although we have to wait several chapters to find out what this is), but she uses misdirection well so that the final twists and revelations are genuinely moving and satisfying (although, yes, sentimental). The ideas behind the book (exile, being an outsider, language, stories) are interesting ones. If I say "this would make a good book group read", it's not always a compliment, but it is here - there's lots to think about as well as a satisfying story.