Thanks for allowing us a last hurrah of 2020, @southeastdweller! Here's my final list, standouts in bold (no really stinking stinkers, but I wouldn't recommend Vox to anyone...).
- Autumn Term – Antonia Forest
- Mutual Admiration Society – Mo Moulton
- Swan Song – Kelleigh Greenberg-Jephcott
- This Must be the Place – Maggie O’Farrell
- The Bookshop – Penelope Fitzgerald
- A Place Called Winter – Patrick Gale
- The Reunion – Guillaume Musso
- Black Water Lilies – Michel Bussi
- Wilful Blindness – Margaret Heffernan
- The Last Painting of Sara de Vos – Dominic Smith
- The Farm – Joanne Ramos
- The High Window – Raymond Chandler
- The Lady in the Lake – Raymond Chandler
- The Little Sister – Raymond Chandler
- She Lies in Wait – Gytha Lodge
- The Last Anniversary – Liane Moriarty
- Bitter Orange – Claire Fuller
- The Lost Man – Jane Harper
- What Red Was – Rosie Price
- Keeping an Eye Open – Julian Barnes
- Heartburn – Nora Ephron
- Crooked Heart – Lissa Evans
- Old Baggage – Lissa Evans
- A View of the Harbour – Elizabeth Taylor
- The Crow Trap – Ann Cleeves
- Lives of the Painters, Sculptors and Architects: Part 1 – Giorgio Vasari
- Telling Tales – Ann Cleeves
- The Year of Magical Thinking – Joan Didion
- Burial Rites – Hannah Kent
- How the Dead Speak – Val McDermid
- Idaho – Emily Ruskovich
- After the Party – Cressida Connolly
- Miss Happiness and Miss Flower – Rumer Godden
- Lives of the Painters, Sculptors and Architects: Part 2 – Giorgio Vasari
- French Exit - Patrick DeWitt
- Hidden Depths – Ann Cleeves
- Expectation – Anna Hope
- Silent Voices – Ann Cleeves
- Girl, Woman, Other - Bernardine Evaristo
- Mrs Palfrey at the Claremont - Elizabeth Taylor
- Warlight - Michael Ondaatje
- Closed Circles – Viveca Sten
- Things Can Only Get Worse – John O’Farrell
- Guiltless – Viveca Sten
- Cassandra at the Wedding – Dorothy Baker
- The Glass Room – Ann Cleeves
- The Loney – Andrew Michael Hurley
- The Colour of Murder – Julian Symons
- My Name is Lucy Barton - Elizabeth Strout
- Tonight You’re Dead – Viveca Sten
- Country Girls – Edna O’Brien
- The Lonely Girl – Edna O’Brien
- Girls In Their Married Bliss - Edna O’Brien
- The Crossing Places – Elly Griffiths
- Tell It To the Bees – Fiona Shaw
- Harbour Street – Ann Cleeves
- The Haunting of Hill House – Shirley Jackson
- In the Heat of the Moment – Viveca Sten
- Hag-Seed – Margaret Atwood
- The Moth Catcher – Ann Cleeves
- The Immortalists – Chloe Benjamin
- Broken Greek – Pete Paphides
- Vox – Christina Dalcher
- Saints of the Shadow Bible – Ian Rankin
- The Immortal Life of Henrietta Lacks – Rebecca Skloot
- In Harm’s Way – Viveca Sten
- Lives of the Painters, Sculptors and Architects: Part 3 – Giorgio Vasari
- Now We Shall Be Entirely Free - Andrew Miller
- The Seagull – Ann Cleeves
- The Dark Is Rising – Susan Cooper
- Black Narcissus – Rumer Godden
- Human kind – Rutger Bregman
My final review. Human kind by Rutger Bregman is sub-titled "A Hopeful History" and it is indeed that - a race through notable events and psychological experiments in human history, with the aim of showing that human nature is inherently good rather than inherently bad or selfish. It's quite journalistic and chatty in style, and Bregman takes swipes at a few other popular authors of a similar type along the way (particularly Malcolm Gladwell). I don't feel I know enough about most of the civilizations or experiments discussed to know whether Bregman's thesis is convincing, but a positive view of human nature was kind of what I needed after this year so I was happy just to be drawn in. The parts I found most interesting were the section on war and combat, where Bregman convincingly explains that a vast majority of soldiers simply do not fire their weapons when there is a significant risk of hitting enemy combatants, and the "non-complementary" section at the end, particularly the parts about the most effective prison systems in preventing recidivism. Thought-provoking and worth a read.
My ultimate total of 72 is three less than last year, although I think I should be able to count at least three more because the final volume of Vasari was over 1000 pages by itself. And together with homeschooling, very busy work and staff management on top of my actual job (plus training to be a judge!), I'm pretty pleased with that total.
73% female, 27% male (I keep trying to get the male numbers up but I'm not doing very well). I've also done significantly worse than last year in reading books by BAME authors and translated works (other than some French and Swedish detective novels), which I suspect resulted from seeking the comfort of the familiar.
My favourite fiction book of the year was The Last Painting of Sara De Vos by Dominic Smith, closely followed by After the Party by Cressida Connolly, Swan Song by Kelleigh Greenberg-Jephcott and Warlight by Michael Ondaatje. I didn't read a great deal of non-fiction (and what I did was mostly Vasari) but The Year of Magical Thinking was head and shoulders above everything else.
Thanks to everyone on this thread for your company in this strangest of years; welcome to the new and returning members and here's to a much better 2021. I'm hoping to get to 75 this year which will make nary a dent in my TBR pile...