Fell off thread.
I read an extract from The Testaments in the weekend papers - wasn't wildly keen to get the book. I liked the original book when I read it years and years ago but haven't been watching the TV series.
106. The Body Lies, Jo Baker
A slightly uneasy blend of fiction and meta-fiction. Our heroine is teaching a university creative writing class, and there is much pondering as to whether portraying violence against women is exploitative, a matter of cheap thrills. Too many crime fiction stories start with the classic image of a violated female corpse - does that mean it should always be off-limits? Is it okay if the author is a woman and/or if the violent act is not the sum of her existence? This layer of questioning felt as if it diluted the main story (involving yes, threats to the central female character). The story was absorbing once it got going, and I winced in recognition at the university setting, but overall, it felt a bit less than the sum of its parts.
107. The Bad Mothers' Book Club, Keris Stanton
You know what you're going to get based on the title - bitchy mothers at the school gate. This is kind-hearted enough, and points out that even the Queen Bee has her troubles, and might be quite nice when you get to know her. It's all a bit paint-by-numbers, seen-it-before, but it's harmless enough.
108. Behind the Chalet School, by Helen McClelland
Biography of the author of the Chalet School books. Not especially dramatic or well-written, but I enjoy the image of Elinor Brent-Dyer running her actual school (terrible food, not particularly well-run) and simultaneously writing fantasies about a very idealised fictional school. One new snippet is that Haile Selassie's granddaughters went to the real-life school in England while he was in exile in the UK in the late 1930s.
109. Like a Tramp, Like a Pilgrim, Harry Bucknall
The author's account of walking the Via Francagena from Canterbury to Rome. Covers the same ground, literally, as Guy Staggs' Crossways, which I read last year, but Staggs' is the better book.
110. This is Shakespeare, Emma Smith
The author is an Oxford academic, and reading this is a bit like sitting in a series of tutorials. I felt vaguely intelligent just for being there, but not sure I retained much (I wouldn't like to be tested on it). Her overall theme is that the plays are open to many different readings; they ask questions rather than answer them. This allows space to interrogate new and different sets of concerns through the medium of the plays.