31. The Cut Out Girl – Bart Van Es
Saying I enjoyed this is probably the wrong word given the subject matter, but I found this in equal parts fascinating and moving. It’s been widely reviewed on here already and I think the consensus is that this is a very good account of the Jewish girl fostered by Bart Van Es’s grandparents during the Nazi occupation of Holland. I would agree. I particularly enjoyed the writers clear, understated prose which really highlighted the subject matter. Recommended.
32. The Silence of the Girls – Pat Barker
Returning to The Iliad after not enjoying The Song of Achilles very much was always a bit of a triumph of optimism over experience, but I was tempted by reviews describing this as a feminist re-telling of the tale. I so wanted to like this, but it just didn’t fly for me. I think one reviewer up thread - Bibliomania? described this as being as wooden as a trojan horse and I think that sums it up pretty accurately.
I did not think this was a feminist re-telling of The Iliad. The book starts promisingly enough with Briseis, a Trojan Queen as the first person narrator vividly describing the fall of Lyrnessus to the rampaging Greeks. I stayed with it despite having some reservations about weak characterisation (hence the woodeness), too many characters and too much happening, all of it quite bloody and violent to the extent I started to become numb to it.
About a third of the way through the narrative voice inexplicably switches to Achilles in the third person and Briseis’s voice drops back to appearing only every other chapter. It was almost as if the writer ultimately found Achilles and Patrolcus’s story far more interesting and kind of gave up a bit on Briseis, and the women in the story generally. This was so disappointing. Despite Briseis claiming the women called Achilles ‘the butcher’ right at the beginning of the book, what actually followed were many descriptions of Achille’s beauty and strength. Deciding to take the story in this direction meant I read on to the end without much enthusiasm and not caring much about what happened in the end. Sad, because I think an actual feminist re-telling of The Iliad would make a fantastic read.
I have now read all the books shortlisted for The Women’s Prize for fiction except Circe, which I’m not going to attempt as I have decided the re-telling of Greek myths although terribly fashionable at the moment, is just not my thing. I would like Milkman to win as I thought it was brilliant and one of my reads of the year thus far. Truly Milkman is a feminist re-telling of a different type of conflict, told confidently and without relegating the women back to their traditional supporting roles half way through. If not Milkman then I would like An American Marriage to win, as I loved the realistic way this addressed relationships and conflict.