17. Sugar Money – Jane Harris
Reviewed several times already up thread. Jane Harris’s novel is set in 1765 Martinique and Grenada and narrated by adolescent Lucien. The style of the novel is an old fashioned "cat and mouse" type adventure story, which for me jarred a little at odds with the serious subject matter of slavery.
Lucien is a likeable narrator, very vividly drawn and I felt invested in him and wanted him to succeed. Descriptions of the islands were full of beautiful detail and made me feel like I was actually there.
However, I found Harris’s decision to sprinkle the dialogue with “Kreyol” a bit distracting at times, and found it stopped me becoming fully absorbed in the story. That said, I have a real aversion to this kind of device, so it might just be me.
Overall a good read but not in the same league as Gillespie and I or The Observations. I didn’t think the relationship between Lucien and his brother Emile was a fully developed as it could have been, and Harris's portrayal of Emile’s love interest Celeste was a bit flat and one dimensional.
It had some very gripping moments though and did not hold back on its description of the horrors and inhumanity of slavery. I remain undecided about accusations of cultural appropriation. On one hand this tale, based on actual events, was a horrific chapter in the history of all humanity, and so as a human being Jane Harris has a right (and a responsibility?) to tell this story. However, I am not sure the genre employed here is the right one. Read an interesting review in The Guardian which concluded that Sugar Money does not bear comparison with other works on the subject such as Beloved or The Underground Railroad and I am inclined to agree.