Meet the Other Phone. A phone that grows with your child.

Meet the Other Phone.
A phone that grows with your child.

Buy now

Please or to access all these features

What we're reading

Find your new favourite book or recommend one on our Book forum.

I have 74 Agatha Christies!

51 replies

EccentricaGallumbits · 08/09/2010 19:59

Hurrah!

Just bought a box of 30 from ebay for a tenner - 24 of which I haven't read yet.

So which is he best?

OP posts:
hannahsaunt · 08/09/2010 20:03

Nemesis. It's certainly the scariest.

Portofino · 08/09/2010 20:04

[jealous]

Portofino · 08/09/2010 20:04

Sorry Envy

RustyBear · 08/09/2010 20:04

Cat Among the Pigeons

EccentricaGallumbits · 08/09/2010 20:05

turns out i have 3 copies of nemesis - it is a goodun.

i'm just starting crooked house.

OP posts:
nettie · 08/09/2010 20:14

Depends what mood your in!

A murder is announced is one of my faves, And then there where none is very creepy. Favourite Poirot is probably Evil under the sun.

Am also very jealous, I always come across AC books in charity shops etc, but resist buying them because I think I've already got them, then get home and find I haven't.

bullet234 · 08/09/2010 20:33

And Then There Were None is excellent, especially considering there are no detectives in it. Her early Poirot's are very good, those published before 1924 and The Murder on the Links had his assistant Hastings with him on a regular basis, very much in the style of Holmes and Watson, albeit with different personalities. In MOTL this sees the end of the close working relationship between Poirot and Hastings and although Hastings does return on numerous occasions to help, the last one if we don't count Curtain being Dumb Witness published in about 1938, it is by no means as frequent. Other goods ones are The Murder of Roger Acroyd. Generally I prefer those Christies published before 1960, though some like Halloween Party which was published in the early 1960's are good as well. Her Miss Marple stories are good for light reading, though the Murder at the Vicarage is rather too predictable. Her Tommy and Tuppence ones are best read in their early years, up to the publication of Partners in Crime in approximately 1929.
She wrote a number of one off or two off stories that are well worth reading, including The Man in the Brown Suit published in 1922 and The Secret of Chimneys and The Seven Dials Mystery, both also published in the 1920's, as well as Why Didn't They Ask Evans published in the early 1930's. These are more adventures with some detection in them.
Ones to avoid are The Big Four, a 1929 published Poirot story that seeks too much to be a thriller and is rather weak and Towards Zero, another stand alone story that is also trying to be a thriller rather than a detective story.
There is a certain amount of cross over with her stories, with a tenouous literary link between Poirot and Marple's worlds and with Parker Pyne as well, but not with Tommy and Tuppence or her stand alone stories. The link goes:

Cards on the Table introduces us to Mark Easterbrook and features Poirot.

The Moving Finger, a Miss Marple story, features Mrs Dane Calthrop.

The Pale Horse features Mrs Dane Calthrop and Mark Easterbrook.

The link between Poirot and Parker Pyne is Miss Lemon, secretary to both.

Hercule Poirot's Christmas, published in 1938 is worth reading as well, a good old fashioned country house whodunnit. I would steer clear of The Hollow though and also Taken at the Flood, though that latter one is not really a country mansion whodunnit.

HumphreyCobbler · 08/09/2010 20:36

My favourite is The Moving Finger. The characterisation is rather good (often it is quite clunky) and the tension mounts rather well.

Reading her autobiography the other day I found that she thought that one was good too.

RustyBear · 08/09/2010 20:51

Surely the link between Cards on the Table and the Pale Horse is Rhoda Dawes, not Mark Easterbrook?

WoodyAllen · 08/09/2010 20:58

She is the great granny of my ex. I never read anything she wrote. Might give one a go.

bullet234 · 08/09/2010 21:12

No, Mark Easterbrook is in both as well and I was linking up Marple and Poirot as well. I know Rhoda is also in both, but to be honest I prefer Mark's character, which might be why I honed in on him.

Ceasnake · 08/09/2010 21:28

Endless Night is a cracker. Really quite dark.

Nemesis (as mentioned) is the best Marple by far.

bullet234 · 08/09/2010 21:38

Anyway, in order of the titles in one of my paperback:

The Man in the Brown Suit, published 1922, good, lighthearted, but too predictable regarding villain. Stand alone, apart from introducing us to Colonel Race, who also features in a couple of Poirot novels.

The Secret of Chimneys, very roaring twenties, a prequel to The Seven Dials Mystery. Both feature Bundle Brent and introduce us to Superintendant Battle, who has some of his own stories.

The Mysterious Mr Quinn, rather quirky and supernaturalish collection of short stories.

The Sittaford Mystery, good old fashioned village mystery, good twist to it.

The Hound of Death, actually a collection of short stories with a supernatural twist.

The Listerdale Mystery. Again a collection of mostly light short stories, one in particular that stands out is the not so light Philomel Cottage.

Why Didn't They Ask Evans, a standalone one that is good but too predictable and too many comparisons to The Man in the Brown Suit.

Parker Pyne Investigates. More light and too fluffy and veering on romance.

Murder is Easy, ok but to be honest I read it years ago and keep mixing it up with other works of hers.

And Then There Were None, brilliantly written, very suspenseful and the book rather than subsequent plays or films needs to be read to fully appreciate it and what she was trying to say.

Towards Zero, pretty awful thriller style.

Death Comes as The End, her only historical whodunnit, an Ancient Egyptian one and more of a novella, but with a very high body count for its length.

Sparkling Cyanide, reasonable, can't remember great details about it but do know it is either expanded from Yellow Iris or that story was reduced from SC.

Crooked House, very sad and poignant, one of her "anyone could be a murderer" ones.

They Came to Baghdad. Either one of the very few I've not yet read or I've blocked it. I suspect I mix it in my mind with Destination Unknown, though I do think it features two middle aged women who turn out to be bodyguards. Not to be confused with a similar situation in Nemesis.

Destination Unknown, weak, too much like Towards Zero. Another thriller.

Spiders Web, a play that's also been novelised by Charles Osborne. Good twist at end.

The Unexpected Guest, again a play. Ok.

The Pale Horse, very creepy but with rational explanation.

Endless Night.I read this a few years ago and couldn't remember much of it. Refreshed my memory and it was dire, so avoid.

Passenger to Frankfurt. One of her, if not definitely last stories written. Again rather weak thriller.

Problem at Pollensa Bay, collection of novellas, very good but not very deep.

While the Light Lasts. Avoid.

The Mysterious Affair at Styles, her first Poirot and first published story, written in 1916 but published in 1920. Introduces us to both Poirot and Hastings. Mix of predictable and surprise.

The Murder on the Links, last Poirot and Hastings working in partnership on a regular basis, very clear that she is trying to stop the Holmes association now.

Poirot Investigates, a set of short stories, good for light reading.

The Murder of Roger Acroyd, a deserved classic. Also noticeable for a prototype of Miss Marple.

The Big Four, avoid, a Poirot thriller. Noted for people making the mistake of thinking this shows that Poirot has a brother. It does not, though he has mentioned having sisters in another story.

Ok, I have been asked by DH to stop posting so will have to stop but will carry on tomorrow. Sorry for brevity of descriptions but don't want to write too much.

kickassangel · 08/09/2010 21:39

I live in the us and have now read every one in the local library. Ishall have to track down some more next time I'm in the uk

bullet234 · 08/09/2010 21:57

Well this is embarrassing. I thought "I'm sure Mark Easterbrook" was in Cards on the Table and so I went to my copy of it and turned to the passage at the end where Rhoda is rescued by who I thought was Mark. And idiot that I am I was mixing him up with Despard. So sorry, you were right about Rhoda.

bullet234 · 09/09/2010 13:01

Ha! I knew I was connecting Easterbrook with Cards on the Table in some way. Went and read the first bit of my copy of Pale Horse and he's Rhoda's cousin (now Rhoda Despard of course).

Anyway, continuing on from yesterday:

The Mystery of the Blue Train, published in either 1928 or 1929 and expanded from The Plymouth Express. Noted for a main female character coming from St Mary Mead, although there is no mention of Miss Marple. Very good and gives a more sympathetic look at the ex husband of the victim than The Plymouth Express did.

Black Coffee, I always mix this up with a play and a short story, think the two are intertwined. Basically it centres round a murder and a stolen formula and her short story The Incredible Theft also has a stolen formula.

Peril at End House, another return of Hastings, this story was published in the mid to late 1930s and is one of those where Poirot just happens to be on the scene or near the scene at the time. One of his harder cases, he ironically doesn't solve it until a chance remark by Hastings sets him on the right track.

Lord Edgware Dies. Published again in the 1930s, I have always wondered if the character Jane Wilkinson as meant to be expanded from the actress Jane Helier who appears in The Thirteen Problems, but this is just speculation. Good story if a little too contrived.

Murder on the Orient Express. Written as a direct result of the Lindbergh Baby kidnapping case, this is one of the very few times when Poirot lets the perpetrator/s go. Another time being The King of Clubs. NB, this of course differs from the times when he knows the perpetrator/s will commit suicide and does not intervene.

Three Act Tragedy, the only real time when Poirot's life is in jeopardy, though this is not revealed until much later in the story. Good plot, good build up and well written. Also features Mr Sattherthwaite and therefore links Poirot with Mr Quinn.

Death in the Clouds, rather fanciful deliberately to start with, to draw you in, but the explanation of the murder is far more ingenious. The only time Poirot himself has been accused of the crime, though this is swiftly dismissed. Similar in some ways to The Murder of Roger Acroyd, though DITC was not published until about 1935.

The ABC Murders, with a dangerous serial killer in this story and one which has crimes committed many miles apart, this one is perhaps Poirot's biggest personal challenge and one which he rises to very well.

Murder in Mesopotamia, this one features one of Christie's most common forms of murder, that done when the perpetrator has only minutes or even seconds to do it in. Ok to read.

Cards on the Table, a deliberate challenge set by Christie to her readers. Only four people could definitely have committed the murder of Mr Shaitana. Brings together Colonel Race, Poirot, Ariadne Oliver (who appears for the first time) and Superintendant Battle. Race and Poirot work together in other stories, including Death on the Nile. Ariagdne Oliver, a very thin disguise of Christie herself, appears in several other Poirot stories, including Dead Mans Folly and Halloween Party. Lots of twists and red herrings makes this very enjoyable.

Murder in the Mews, actually a set of novellas of which the title one features a death which happens on Bonfire Night. Another one in the collection, Triangle at Rhodes, bears remarkable comparison in some ways to Death on the Nile.

Dumb Witness, with the exception of Curtain I am fairly sure this is the last appearance of Hastings, though he is mentioned in other stories. The witness is the doll of an elderly woman who has died after sending a letter to Poirot expressing concerns. The premise of Poirot turning up to see someone in answer to a letter they've sent, only to arrive after their death can also be seen in Murder on the Links and The Cornish Mystery.

Death on the Nile, well written, even if the murders and the timing of them do get rather ludicrous.

Appointment with Death. This is one of the few stories where the victim is so odious it's a good job they are disposed of.

Hercule Poirot's Christmas, published in 1938, this was made deliberately bloody after criticism from someone that Christie's works had become too insipid. Draws you into a close group of suspects and then shatters your illusions.

Sad Cypress, noted for its moving from the present of a court case to the past of the events leading up to the murder, this is about a woman on trial for above crime and Poirot's efforts to get her off. As with many of his cases, the critical piece of evidence is so small as to be almost overlooked, but I can tell you it is to do with horticulture in some way.

One Two Buckle My Shoe, noted for showing us another of Poirots dislikes, an appointment with a dentist. Good story.

Evil Under the Sun, another one in which Poirot is on holiday. Very close in some ways to The BloodStained Pavement which features in The Thirteen Problems.

Five Little Pigs. A retrospective case for Poirot, solving a crime after it's supposedly cold. Ok.

The Hollow. I do not like this one. Written in the 1950s, it is a reminder to the reader that the time of the country house/mansion whodunnits of the 1920s and 1930s are passed, that the world is now different and that family ties are not what they were.

The Labours of Hercules. Featuring Miss Lemon, a character who bears a load of Aspergers traits and is rarely recognised as having them, this collection of short stories loosely connects Poirot with the 12 tasks undertaken by Heracles. Also features the Countess Vera Rossakoff who also appeared in The Double Clue and The Big Four and a woman Poirot strongly admires.

Mrs McGinty's Dead, a case which appears cut and dried until the police officer involved in the case expresses doubts about the guilt of the accused and asks Poirot to investigate. Title comes from an old children's game of the same name.

After the Funeral. Good story, but way of committing murder has been done before in Lord Edgware dies, though with a different set up.

Hickory Dickory Dock. Published in the late 1950s or 1960s, one of Poirot's weaker cases and with the involvement of a gang seems rather too convoluted. But reasonable.

Dead Man's Folly, another one with Ariadne Oliver in it, this one has always made me wonder if there is meant to be a sly reference to Miss Marple, with the mentioning of an old woman who solves the quiz after everyone else has given up. Good story published in the mid 1950s.

Cat Among the Pigeons takes place mainly in a girl's school and combines detection with thriller. I always confuse Henry Sutcliffe with Superintendant Battle in my mind due to the similarity of personalities.

The Adventure of the Christmas Pudding, a collection of short to medium stories that are mostly quite light.

The Clocks. Ok, but again Christie employs the very quick timing of murder method which is rather stretched. Features Colin Lamb who is said to be maybe the son of Superintendant Battle, which is supported by Poirot saying he thought that "the good Superintendant is going to write his memoirs". Poirot does not appear until at least halfway in this story and dominance is given over more to Lamb for much of it. Very good final twist.

Third Girl. Published in the 1960s and about three young women sharing a flat, this is ok but again not one of Christie's best. Although unsimilar in plot, the feeling of it reminds me strongly of The Pale Horse.

Halloween Party. Noted for Ariadne Oliver's end to liking apples due to the murder in an apple bobbing tub. Well written.

Elephants Can Remember. Now, although Curtain is supposed to be taken as Poirot's last case, in many ways this is a more satisfactory ending and perhaps indicates that Christie had at least resigned herself to tolerating the character (she did not like him). Published in 1970 it is the last written story of Poirot, though not the last to be published. Another retrospective case, it ends with Poirot reminiscing on old cases. It is possible to roughly work out Poirot's age as 90 in this story, if we take it in conjunction with the events of The Chocolate Box which take place in about 1905, we can say that Poirot was born in 1880, making him 25 in 1905 and his one failure, so young enough to make mistakes but old enough to be well established with the Belgian Police Force.

Poirots Early Cases, features many short stories that appeared, in some form or another, in The Strand Magazine amongst others in the 1920s. Lots of robberies and murders. Good ones are The Disappearance of Mr Davenheim, The Affair at the Victory Ball, and The Incredible Theft.

Curtain: Poirot's Last Case. Now, this is a bit confusing. It was written in 1940 along with Sleeping Murder when Christie feared she would not survive the war and so she wrote those two stories and sent them to her solicitor to be stored and published after her death. Hence though this and SM both have a publication date of 1976, they read as much earlier. It is noted that though this very definitely ends Poirot, SM does no such thing with Miss Marple. Features Hastings and a return to the Styles of The Mysterious Affair at Styles, I've always taken it as something written for Christie's own personal wish and keep it apart in my mind from other Poirot stories.

Will do Miss Marple stories tomorrow.

WoodyAllen · 09/09/2010 15:13

Oh my God.

pink4ever · 09/09/2010 15:34

I am so jealous! have read all the books but always end up lending them.giving away etc and then regretting it.
I agree with the majority on here that nemesis is the best Miss Marple. but my fave christie of all is By the pricking of my thunbs(a later tommy and tuppence one).Find it truly chilling. They made it into one of the tv ones with geraldine mcewan but totally changed story and it was crap.
Also loved Cat among the pigeons for sheer absurdity!

pink4ever · 09/09/2010 15:36

By the pricking of my thumb that should have read! sorry!

Spacehoppa · 09/09/2010 15:49

I rather liked 'Curtains' for the ending (deliberately vague) and 'By the pricking of my thumbs' which is creepy. I have an audio-casette of 'And then there were none' which is really atmospheric

nymphadora · 09/09/2010 15:55

Dd2 is obsessed by Silent Witness as we let her watch it on TV, keep finding my Agatha Christie books in her room.

I went on a mission last year to get all of them. Armed with a list we visited Hay-on-Wye on holiday and came back with a car full!

bullet234 · 09/09/2010 18:13

Ahhh, that's the one where this old woman says "Is it your poor child my dear?" and then says how the body of the child is behind a wall in the room. At least I think so.
In case it's not apparent I've had a long standing obsession with the Christie stories Grin.
Nemesis is good, particularly as it links in loosely with A Carribean Mystery, but I personally prefer A Murder is Announced.

EccentricaGallumbits · 09/09/2010 22:52

bullet - i love you!

OP posts:
bullet234 · 10/09/2010 10:58

Ok, Miss Marple stories now, in order that they are in the front of one of my paperbacks.

The Murder at the Vicarage, published in 1930. the first full novel to feature Miss Marple, though Christie had already done a vague prototype with Caroline Shephard in The Murder of Roger Acroyd (albeit younger) and had used the name St Mary's Mead for a village name in The Mystery of the Blue Train published a year earlier. Victim rather unpleasant, but not as nasty as Mrs Boyne in Appointment with Death. Murder only takes place at the vicarage because the victim goes to speak to the vicar about something. I will say that two of the regular main characters in the story appear, albeit mostly only fleetingly in other Miss Marple stories as do some of the minor characters, but won't say which ones as then they'd be out of the suspect list. Story is good, lighthearted and written from first person perspective.

The Thirteen Problems. Published in 1932. A collection of short stories (13 of them oddly enough), 12 of which are a group of friends and acquaintances discussing past cases, the truth of which is known only to the narrator of the case, with the others having to guess. Introduces us to Jane Marple's nephew Raymond West and to the woman who will become his wife, Joan Lempriere (sorry, can't do accents), who both appear or are mentioned in other Miss Marple novels, usually referred to as "my dear nephew Raymond" who, amongst other things, pays for Miss Marple to go on holiday in A Caribbean Mystery." The 12th story is a real time murder case, investigated by a police officer who is given the name of the guilty party written down, something that is not checked until the inspector solves the crime on his own.

The Body in the Library. Published in late 1930s, the title deliberately plays up the shilling shockers and penny dreadfuls of the late Victorian and Edwardian eras. Takes place in St Mary Mead it introduces us to Dolly Bantry, a good friend of Miss Marple. Well written and with a very good plot, its main criticism is that its snobbery in places makes for rather uncomfortable reading. Flits between St Mary Mead and a nearby seaside town.

The Moving Finger. Written from the perspective of the male protagonist who is recovering from a serious injury and is living in a quiet village with his sister, it details a series of malicious letters sent to people, one of which appears to result in the suicide of one of its recipients. Introduces us to the vicar's wife Mrs Dane Calthrop who later appears in The Pale Horse and thus links us via Ariadne Oliver to Hercule Poirot. Miss Marple does not appear for quiet a while in the story but is able to solve the case anyway.

A Murder is Announced. Reasonable and with an ok story line, but too many plot holes that make it too easy to see who the murderer must be. Another of Christie's stories where the bodies just keep on coming and which also features one of her ultra quick murders.

They Do it with Mirrors. OK, takes place in a reform home (though not called as such) for wayward youths that's situated at the house where one of Miss Marple's old school friends lives.

A Pocket Full of Rye. A case that Miss Marple deliberately sets out to investigate after she reads about the death of one of her former maids. In early Miss Marple books she employs a series of girls as maids and in later ones like The Mirror Crack'd a woman called Cherry comes to clean her house. The murders are a loose interpretation of the nursery rhyme of the same name with the murderer reminding me quite strongly of the character of the murderer in Why Didn't They Ask Evans.

The 4:50 from Paddington. A chance crossing of two trains next to each other, a sudden lifting up of a window blind and Miss Marple's friend Elspeth McGillicuddy witnesses a brutal murder. With no body found near the scene and no signs of any crime having been committed, even Miss Marple begins to have doubts about the veracity of McGillicuddy's story. But by various investigations of her own and by employing a friend to take up a position as housekeeper in the house near to where the body, if it existed, must have been flung and to therefore look for said body matters reach a head. Family in big house remind me a lot of that in Hercule Poirot's Christmas.

The Mirror Crack'd from Side to Side. Very sad story, when motive for the murder is revealed. Takes place once more at Gossington Hall, the scene of the Body in the Library and features Dolly Bantry, but not her husband, the Colonel, who has died of natural causes. One of Christie's stories where a chance remark or look sets the investigator on the right track.

A Caribbean Mystery. The only Miss Marple story to take place out of Britain, it introduces us to Mr Rafiel, who will later ask Miss Marple to investigate another case for him in Nemesis. In one small way realisation of who the guilty party is is similar to that of Appointment with Death, in that the victim is discovered, at a significant time, to have been looking somewhere different, or at someone different, than they were originally believed.

At Bertrams Hotel.One of the very few stories that makes reference to Miss Marple's younger days, this one saying how she stayed in the hotel in question at the age of 14, They Do it with Mirrors talking about her school friends and The Mark of St Peter (in The 13 Problems) talking about a situation when she was probably middle aged). Quiet well written.

Nemesis. A letter written by Mr Rafiel and sent after his death to Miss Marple asks her to investigate whether his son was really guilty of murder. Quite well written and the only time when Miss Marple's life is in definite danger.

Sleeping Murder. Although this was not published until 1976, after Christie's death, it was written in 1940. Features a rather improbable situation of someone buying their babyhood home and also Miss Marple saving someone's life by means of soapy water. The murderer can be worked out by means of a rather obvious clue in the middle of the story.

Miss Marples Final Cases. Collection of short stories which also include two non Marple related supernatural or otherwise odd stories. No indication other than title that Miss Marple is "retiring" or going to die in them.

Of course I should have pointed out that another connection between Marpel and Poirot was St Mary Mead, but as it is never definitely implied the two villages are the same it's somewhat of a tenuous grasp.

treedelivery · 10/09/2010 11:12

I know reading the book can never be beaten, but the audiobook of Murder on the Orient Express is really very good. David Suchet manages to turn hmself into every single part very well indeed. Especially the women! It has a bit of 'hamming it up', but set against the Orient Express, intense luxury and priviledge, it is somehow ok. Plus the story has comedy and a larger than life feel, yet the actual background case is so sad.

I like Bertrams Hotel as it is so atmospheric.

Swipe left for the next trending thread