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Get tips on theatre and art from other Mumsnetters on our Culture forum.

Have we had a favourite poem thread?

130 replies

turquey · 14/12/2004 15:06

Or is that a bit pretentious?

Well the favourite classics thread got me thinking so here's mine:

Bat - DH Laurence
'The expense of spirit in a waste of shame' sonnet - Shakespeare
Dulce et Decorum Est - Wilfred Owen
Lament - Dylan Thomas
The Waste Land - TS Eliot

OP posts:
spacedonkey · 14/12/2004 18:01

No you haven't, everyone's cooking dinner i expect!

I'm really enjoying reading everyone's favourites

TinselTamum · 14/12/2004 18:01

Well, that's cheered me up no end Miaou, ta

Actually, it's incredibly beautiful. I hadn't read it before.

MiaouyChristmas · 14/12/2004 18:02

tamum! SD, I just came to the same conclusion (albeit a little slower than you!)

MiaouyChristmas · 14/12/2004 18:05

OK, here's a slightly less depressing one: The Thought Fox by Ted Hughes.

The Thought Fox

I imagine this midnight?s moment?s forest:
Something else is alive
Beside the clock?s loneliness
And this blank page where my fingers move.

Through the window I see no star:
Something more near
Though deeper within darkness
Is entering the loneliness:

Cold, delicately as the dark snow
A fox?s nose touches twig, leaf;
Two eyes serve a movement, that now
And again now, and now, and now,

Sets neat prints into the snow
Between trees, and warily a lame
Shadow lags by stump and in hollow
Of a body that is bold to come

Across clearings, and eye,
A widening deepening greenness,
Brilliantly, concentratedly,
Coming about its own business

Till, with a sudden sharp hot stink of fox
It enters the dark hole of the head.
The window is starless still; the clock ticks,
The page is printed.

turquey · 14/12/2004 18:14

I'd forgotten about the Listeners - another all time favourite. Here are a couple of mine, can't find Bat anywhere to cut and paste but will keep trying.

William Shakespeare - Sonnet #129
The expense of spirit in a waste of shame
Is lust in action; and till action, lust
Is perjured, murderous, bloody, full of blame,
Savage, extreme, rude, cruel, not to trust;
Enjoy'd no sooner but despised straight;
Past reason hunted; and no sooner had,
Past reason hated, as a swallowed bait,
On purpose laid to make the taker mad:
Mad in pursuit, and in possession so;
Had, having, and in quest to have, extreme;
A bliss in proof, and proved, a very woe;
Before, a joy proposed; behind, a dream.

All this the world well knows; yet none knows well
To shun the heaven that leads men to this hell.

Dylan Thomas - Lament

When I was a windy boy and a bit
And the black spit of the chapel fold,
(Sighed the old ram rod, dying of women),
I tiptoed shy in the gooseberry wood,
The rude owl cried like a tell-tale tit,
I skipped in a blush as the big girls rolled
Nine-pin down on donkey's common,
And on seesaw sunday nights I wooed
Whoever I would with my wicked eyes,
The whole of the moon I could love and leave
All the green leaved little weddings' wives
In the coal black bush and let them grieve.

When I was a gusty man and a half
And the black beast of the beetles' pews
(Sighed the old ram rod, dying of bitches),
Not a boy and a bit in the wick-
Dipping moon and drunk as a new dropped calf,
I whistled all night in the twisted flues,
Midwives grew in the midnight ditches,
And the sizzling sheets of the town cried, Quick!-
Whenever I dove in a breast high shoal,
Wherever I ramped in the clover quilts,
Whatsoever I did in the coal-
Black night, I left my quivering prints.

When I was a man you could call a man
And the black cross of the holy house,
(Sighed the old ram rod, dying of welcome),
Brandy and ripe in my bright, bass prime,
No springtailed tom in the red hot town
With every simmering woman his mouse
But a hillocky bull in the swelter
Of summer come in his great good time
To the sultry, biding herds, I said,
Oh, time enough when the blood runs cold,
And I lie down but to sleep in bed,
For my sulking, skulking, coal black soul!

When I was half the man I was
And serve me right as the preachers warn,
(Sighed the old ram rod, dying of downfall),
No flailing calf or cat in a flame
Or hickory bull in milky grass
But a black sheep with a crumpled horn,
At last the soul from its foul mousehole
Slunk pouting out when the limp time came;
And I gave my soul a blind, slashed eye,
Gristle and rind, and a roarers' life,
And I shoved it into the coal black sky
To find a woman's soul for a wife.

Now I am a man no more no more
And a black reward for a roaring life,
(Sighed the old ram rod, dying of strangers),
Tidy and cursed in my dove cooed room
I lie down thin and hear the good bells jaw--
For, oh, my soul found a sunday wife
In the coal black sky and she bore angels!
Harpies around me out of her womb!
Chastity prays for me, piety sings,
Innocence sweetens my last black breath,
Modesty hides my thighs in her wings,
And all the deadly virtues plague my death!

I've got a tape of Richard Burton reading Lament in a strong welsh accent, rolling his RRRRRRs and positively spitting fury and frustration, it's total heaven.

OP posts:
turquey · 14/12/2004 18:16

Also love Do Not go Gentle into that Good Night, but can hardly bear to read it any more as it went round and round my head when my father was dying.

OP posts:
spacedonkey · 14/12/2004 18:17

Bat

At evening, sitting on this terrace,
When the sun from the west, beyond Pisa, beyond the mountains of Carrara
Departs, and the world is taken by surprise ...

When the tired flower of Florence is in gloom beneath the glowing
Brown hills surrounding ...

When under the arches of the Ponte Vecchio
A green light enters against stream, flush from the west,
Against the current of obscure Arno ...

Look up, and you see things flying
Between the day and the night;
Swallows with spools of dark thread sewing the shadows together.

A circle swoop, and a quick parabola under the bridge arches
Where light pushes through;
A sudden turning upon itself of a thing in the air.
A dip to the water.

And you think:
"The swallows are flying so late!"

Swallows?

Dark air-life looping
Yet missing the pure loop ...
A twitch, a twitter, an elastic shudder in flight
And serrated wings against the sky,
Like a glove, a black glove thrown up at the light,
And falling back.

Never swallows!
Bats! The swallows are gone.

At a wavering instant the swallows gave way to bats
By the Ponte Vecchio ...
Changing guard.

Bats, and an uneasy creeping in one's scalp
As the bats swoop overhead!
Flying madly.

Pipistrello!
Black piper on an infinitesimal pipe.
Little lumps that fly in air and have voices indefinite, wildly vindictive;

Wings like bits of umbrella.

Bats!

Creatures that hang themselves up like an old rag, to sleep;
And disgustingly upside down.
Hanging upside down like rows of disgusting old rags
And grinning in their sleep.
Bats!

Not for me!

spacedonkey · 14/12/2004 18:18

great poem, i like that one too

turquey · 14/12/2004 18:19

aha - thank you! I was about to copy it all out

OP posts:
JoolsTide · 14/12/2004 20:13

Most of these poems are new to me and that last one 'Bat' - this line shone out - its magical

"Swallows with spools of dark thread sewing the shadows together"

popsycal · 14/12/2004 20:16

My favourite 'read aloud to children' poem

Chocolate Cake

I love chocolate cake.
And when I was a boy
I loved it even more.

Sometimes we used to have it for tea
and Mum used to say,
'If there's any left over
you can have it to take to school
tomorrow to have at playtime.'
And the next day I would take it to school
wrapped up in tin foil
open it up at playtime
and sit in the corner of the playground
eating it,
you know how the icing on top
is all shiny and it cracks as you
bite into it,
and there's that other kind of icing in
the middle
and it sticks to your hands and you
can lick your fingers
and lick your lips
oh it's lovely.
yeah.

Anyway,
once we had this chocolate cake for tea
and later I went to bed
but while I was in bed
I found myself waking up
licking my lips
and smiling.
I woke up proper.
'The chocolate cake.'
It was the first thing
1 thought of.

I could almost see it
so I thought,
what if I go downstairs
and have a little nibble, yeah?

It was all dark
everyone was in bed
so it must have been really late
but I got out of bed,
crept out of the door

there's always a creaky floorboard, isn't there?

Past Mum and Dad's room,
careful not to tread on bits of broken toys
or bits of Lego
you know what it's like treading on Lego
with your bare feet,

yowwww
shhhhhhh

downstairs
into the kitchen
open the cupboard
and there it is
all shining.

So I take it out of the cupboard
put it on the table
and I see that
there's a few crumbs lying about on the plate,
so I lick my finger and run my finger all over the crumbs
scooping them up
and put them into my mouth.

oooooooommmmmmmmm

nice.

Then
I look again
and on one side where it's been cut,
it's all crumbly.

So I take a knife
I think I'll just tidy that up a bit,
cut off the crumbly bits
scoop them all up
and into the mouth

oooooommm mmmm
nice.

Look at the cake again.

That looks a bit funny now,
one side doesn't match the other
I'll just even it up a bit, eh?

Take the knife
and slice.
This time the knife makes a little cracky noise
as it goes through that hard icing on top.

A whole slice this time,

into the mouth.

Oh the icing on top
and the icing in the middle
ohhhhhh oooo mmmmmm.

But now
I can't stop myself
Knife -
1 just take any old slice at it
and I've got this great big chunk
and I'm cramming it in
what a greedy pig
but it's so nice,

and there's another
and another and I'm squealing and I'm smacking my lips
and I'm stuffing myself with it
and
before I know
I've eaten the lot.
The whole lot.

I look at the plate.
It's all gone.

Oh no
they're bound to notice, aren't they,
a whole chocolate cake doesn't just disappear
does it?

What shall 1 do?

I know. I'll wash the plate up,
and the knife

and put them away and maybe no one
will notice, eh?

So I do that
and creep creep creep
back to bed
into bed
doze off
licking my lips
with a lovely feeling in my belly.
Mmmmrnmmmmm.

In the morning I get up,
downstairs,
have breakfast,
Mum's saying,
'Have you got your dinner money?'
and I say,
'Yes.'
'And don't forget to take some chocolate cake with you.'
I stopped breathing.

'What's the matter,' she says,
'you normally jump at chocolate cake?'

I'm still not breathing,
and she's looking at me very closely now.

She's looking at me just below my mouth.
'What's that?' she says.
'What's what?' I say.

'What's that there?'
'Where?'
'There,' she says, pointing at my chin.
'I don't know,' I say.
'It looks like chocolate,' she says.
'It's not chocolate is it?'
No answer.
'Is it?'
'I don't know.'
She goes to the cupboard
looks in, up, top, middle, bottom,
turns back to me.
'It's gone.
It's gone.
You haven't eaten it, have you?'
'I don't know.'
'You don't know. You don't know if you've eaten a whole
chocolate cake or not?
When? When did you eat it?'

So I told her,

and she said
well what could she say?
'That's the last time I give you any cake to take
to school.
Now go. Get out
no wait
not before you've washed your dirty sticky face.'
I went upstairs
looked in the mirror
and there it was,
just below my mouth,
a chocolate smudge.
The give-away.
Maybe she'll forget about it by next week.

Michael Rosen

JoolsTide · 14/12/2004 20:21

LOL!

Joolstide · 15/12/2004 10:36

I went to find another of my favourite poems and it was on a site called Julia's favourite poems! spooky - The Listeners was on there too!

Anyway here it is - its quite long tho!

Miss Thompson Goes Shopping another goody from Martin Armstrong

MISS THOMPSON GOES SHOPPING - by: Martin Armstrong

In her lone cottage on the downs,
With winds and blizzards and great crowns
Of shining cloud, with wheeling plover
And short grass sweet with the small white clover,
Miss Thompson lived, correct and meek,
A lonely spinster, and every week
On market-day she used to go
Into the little town below,
Tucked in the great downs? hollow bowl
Like pebbles gathered in a shoal.

So, having washed her plates and cup
And banked the kitchen-fire up,
Miss Thompson slipped upstairs and dressed,
Put on her black (her second best),
The bonnet trimmed with rusty plush,
Peeped in the glass with simpering blush,
From camphor-smelling cupboard took
Her thicker jacket off the hook
Because the day might turn to cold
Then, ready, slipped downstairs and rolled
The hearthrug back; then searched about,
Found her basket, ventured out,
Snecked the door and paused to lock it
And plunge the key in some deep pocket,
Then as she tripped demurely down
The steep descent, the little town
Spread wider till its sprawling street
Enclosed her and her footfalls beat
On hard stone pavement, and she felt
Those throbbing ecstasies that melt
Through heart and mind, as, happy, free,
Her small, prim personality
Merged into the seething strife
Of auction-marts and city life.

Serenely down the busy stream
Miss Thompson floated in a dream,
Now, hovering bee-like, she would stop
Entranced before some tempting shop,
Getting in people?s way and prying
At things she never thought of buying:
Now wafted on without an aim,
Until in course of time she came
To Watson?s boot-shop. Long she pries
At boots and shoes of every size
Brown football-boots with bar and stud
For boys that scuffle in the mud,
And dancing-pumps with pointed toes,
Glossy as jet, and dull black bows;
Slim ladies? shoes with two-inch heel
And sprinkled beads of gold and steel
"How any one can wear such things!"
On either side the doorway springs
(As in a tropic jungle loom
Masses of strange thick-petalled bloom
And fruits mis-shapen) fold on fold
A growth of sand-shoes rubber-soled
Clambering the door-posts, branching, spawning
Their barbarous bunches like an awning
Over the windows and the doors,
But, framed among the other stores,
Something had caught Miss Thompson?s eye
(O worldliness; O vanity!),
A pair of slippers - scarlet plush.
Miss Thompson feels a conscious blush
Suffuse her face, as though her thought
Had ventured further than it ought,
But O that colour?s rapturous singing
And the answer in her lone heart ringing!
She turns (O Guardian Angels, stop her
From doing anything improper!)
She turns; and see, she stoops and bungles
In through the sand-shoes hanging jungles,
Away from light and common sense,
Into the shop dim-lit and dense
With smells of polish and tanned hide.

Soon from the dark recess inside
Fat Mrs Watson comes slip-slop
To mind the business of the shop.
She walks flat-footed with a roll
A serviceable, homely soul,
With kindly, ugly face like dough,
Hair dull and colourless as tow.
A huge Scotch pebble fills the space
Between her bosom and her face,
One sees her making beds all day.
Miss Thompson lets her say her say:
"So chilly for the time of year,
It?s ages since we saw you here".
Then, heart a-flutter, speech precise,
Describes the shoes and asks the price,
"Them, Miss? Ah, them is six-and -nine,"
Miss Thompson shudders down the spine
(Dream of impossible romance).
She eyes them with a wistful glance,
Torn between good and evil, Yes,
For half-a-minute and no less
Miss Thompson strives with seven devils,
Then, soaring over earthly levels,
Turns from the shoes with lingering touch
"Ah, six and nine is far too much.
Sorry to trouble you. Good-day!".

A little farther down the way
Stands Mile?s fish-shop, whence is shed
So strong a smell of fishes dead
That people of a subtler sense
Hold their breath and hurry thence,
Miss Thompson hovers there and gazes:
Her housewife?s knowing eye appraises
Salt and fresh, severely cons
Kippers bright as tarnished bronze:
Great cods disposed upon the sill,
Chilly and wet with gaping gill,
Flat head, glazed eye, ands mute, uncouth,
Shapeless, wan, old-woman's mouth.
Next a row of soles and plaice
With querulous and twisted face,
And red-eyed bloaters, golden-grey;
Smoked haddocks ranked in neat array;
A group of smelts that take the light
Like slips of rainbow , pearly bright;
Silver trout with rosy spots,
And coral shrimps with keen black dots
For eyes, and hard and jointed sheath
And crisp tails curving underneath,
But there upon the sanded floor,
More wonderful in all that store
Than anything on slab or shelf,
Stood Miles, the fishmonger, himself
Four-square he stood and filled the place,
His huge hands and his jolly face
Were red. He had a mouth to quaff
Pint after pint: a sounding laugh,
But wheezy at the end, and oft
His eyes bulged outwards as he coughed.
Aproned he stood from chin to toe,
The apron?s vertical long flow
Warped grandly outwards to display
His hale, round belly hung midway,
Whose apex was securely bound
With apron strings wrapped round and round.
Outside, Miss Thompson, small and staid,
Felt, as she always felt, afraid
Of this huge man who laughed so loud
And drew the notice of the crowd,
Awhile she paused in timid thought,
Then promptly hurried in and bought
"Two kippers, please. Yes lovely weather."
"Two kippers ? Sixpence altogether,"
And in basket laid the pair
Wrapped face to face in newspaper.

Then on she went, as one half blind,
For things were stirring in her mind;
Then turned about with fixed intent
And, heading for the boot-shop, went
Straight in and bought the slippers
And popped them in beside the kippers.
So much for that. From there she tacked,
Still flushed by this decisive act,
Westward, and came without a stop
To Mr Wren the chemist?s shop,
And stood outside a while to see
The tall, big-bellied bottles three
Red, blue and emerald, richly bright
Each with its burning core of light,
The bell chimed as she pushed the door,
Spotless the oilcloth on the floor,
Limpid as water each glass case,
Each thing precisely in its place,
Rows of small drawers, black-lettered each
With curious words of foreign speech,
Ranked high above the other ware,
The strange old fragrance filled the air,
A fragrance like the garden pink,
But tinged with vague medicinal stink
Of camphor, soap, new sponges, blent
With chloroform and violet scent.

And Wren the chemist, tall and spare,
Stood gaunt behind his counter there,
Quiet and very wise he seemed,
With skull-like face, bald head that gleamed;
Through spectacles his eyes looked kind,
He wore a pencil tucked behind
His ear. And never he mistakes
The wildest signs the doctor makes
Prescribing drugs. Brown paper, string,
He will not use for anything,
But all in neat white parcels packs
And seals them up with sealing-wax,
Miss Thompson bowed and blushed, and then
Undoubting bought of Mr Wren,
Being free from modern scepticism,
A bottle for her rheumatism;
Also some peppermints to take
In case of wind; an oval cake
Of scented soap; a penny square
Of pungent naphthaline to scare
The moth. And after Wren had wrapped
And sealed the lot, Miss Thompson clapped
Them in beside the fish and shoes;
"Good day," she says, and off she goes.

Beelike Miss Thompson, whither next?
Outside, you pause awhile, perplext,
Your bearings lost. Then all comes back,
And round she wheels, hot on the track
Of Giles the grocer, and from there
To Emilie the milliner,
There to be tempted by the sight
Of hats and blouses fiercely bright,
(O guard Miss Thompson, Powers that Be,
From Crudeness and Vulgarity.)

Still on from shop to shop she goes
With sharp bird?s-eye, inquiring nose,
Prying and peering, entering some,
Oblivious of the thought of home,
The town brimmed up with deep-blue haze,
But still she stayed to flit and gaze,
Her eyes ablur with rapturous sights,
Her small soul full of small delights,
Empty her purse, her basket filled,
The traffic in the town was stilled,
The clock struck six. Men thronged the inns,
Dear, dear, she should be home long since.

Then as she climbed the misty downs
The lamps were lighted in the town?s
Small streets. She saw them star by star
Multiplying from afar;
Till, mapped beneath her, she could trace
Each street, and the wide square market-place
Sunk deeper and deeper as she went
Higher up the steep ascent.
And all that soul-uplifting stir
Step by step fell back from her,
The glory gone, the blossoming
Shrivelled, and she, a small, frail thing,
Carrying her laden basket. Till
Darkness and silence of the hill
Received her in their restful care
And stars came dropping through the air.

But loudly, sweetly sang the slippers
In the basket with the kippers;
And loud and sweet the answering thrills
From her lone heart on the hills.

albert · 15/12/2004 11:08

Ode to Autumn by John Keats competes for my first place with one I learnt as a child, I think it's by RL Stephenson but don't remember what it's called. It starts of:
In winter I get up at night
And dress by yellow candle light.
In summer quite the other way,
I have to go to bed by day.

soozdreamz · 10/07/2005 18:00

He Wishes For The Cloths Of Heaven
by
W.B.Yeats

Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half-light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.

Reflections on Ice-Breaking
by
Ogden Nash

Candy
Is Dandy
But liquor
Is quicker.

Remember
by
Christina Rossetti

Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more day by day
You tell me of our future that you plann'd:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.

HappyMelP · 23/07/2005 22:04

"IF"

IF you can keep your head when all about you
Are losing theirs and blaming it on you;
IF you can trust yourself when all men doubt you
But make allowances for their doubting too;
IF you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise;

IF you can dream - and not make dreams your master;
IF you can think - and not make thoughts your aim,
IF you can meet with Triumph and Disaster
And treat those two imposters just the same;
IF you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build them up with worn-out tools;

IF you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
IF you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them "Hold on!"

IF you can talk with crowds and keep your virtue,
Or walk with kings - nor lose the common touch,
IF neither foes nor loving friends can hurt you,
IF all men count with you, but none too much;
IF you can fill the unforgiving minute
With sixty seconds' worth - of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!

  • Rudyard Kipling (1865-1936)
KBear · 23/07/2005 22:23

Here's mine - my kids love it!

Pam Ayres

Oh, I wish I'd looked after me teeth,
And spotted the perils beneath,
All the toffees I chewed,
And the sweet sticky food,
Oh, I wish I'd looked after me teeth.

I wish I'd been that much more willin'
When I had more tooth there than fillin'
To pass up gobstoppers,
From respect to me choppers
And to buy something else with me shillin'.

When I think of the lollies I licked,
And the liquorice allsorts I picked,
Sherbet dabs, big and little,
All that hard peanut brittle,
My conscience gets horribly pricked.

My Mother, she told me no end,
"If you got a tooth, you got a friend"
I was young then, and careless,
My toothbrush was hairless,
I never had much time to spend.

Oh I showed them the toothpaste all right,
I flashed it about late at night,
But up-and-down brushin'
And pokin' and fussin'
Didn't seem worth the time... I could bite!

If I'd known I was paving the way,
To cavities, caps and decay,
The murder of fiIlin's
Injections and drillin's
I'd have thrown all me sherbet away.

So I lay in the old dentist's chair,
And I gaze up his nose in despair,
And his drill it do whine,
In these molars of mine,
"Two amalgum," he'll say, "for in there."

How I laughed at my Mother's false teeth,
As they foamed in the waters beneath,
But now comes the reckonin'
It's me they are beckonin'
Oh, I wish I'd looked after me teeth.

PeachyClair · 23/07/2005 22:33

Hymn Of Man, The
by : Kahlil Gibran (1883 - 1931), Henry Gibson

I was,
And I am.
So shall I be to the end of time,
For I am without end.

I have cleft the vast spaces of the infinite, and
taken flight in the world of fantasy, and drawn nigh
to the circle of light on high.
Yet behold me a captive of matter.
I have hearkened to the teachings of Confucius,
and listened to the wisdom of Brahma, and sat
beside the Buddha beneath the tree of knowledge.
Behold me now contending with ignorance and
unbelieving.

I was upon Sinai when the Lord showed Himself
to Moses. By the Jordan I beheld the Nazarene's
miracles. In Medina I heard the words of the
Apostle of Arabia.

Behold me now a prisoner of doubt.
I have seen Babylon's strength and Egypt's glory
and the greatness of Greece. My eyes cease not
upon the smallness and poverty of their works.
I have sat with the witch of Endor and the priests
of Assyria and the prophets of Palestine, and I cease
not to chant the truth.

I have learned the wisdom that descended on
India, and gained mastery over poetry that welled
from the Arabian's heart, and hearkened to the
music of people from the West.
Yet am I blind and see not; my ears are stopped
and I do not hear.

I have borne the harshness of unsatiable
conquerors, and felt the oppression of tyrants and the
bondage of the powerful.
Yet am I strong to do battle with the days.
All this have I heard and seen, and I am yet a
child. In truth shall I hear and see the deeds of
youth, and grow old and attain perfection and
return to God.

I was,
And I am.
So shall I be to the end of time,
For I am without end.

Doddle · 23/07/2005 22:36

Heaven-Haven

I have desired to go
Where springs not fail,
To fields where flies no sharp and sided hail
And a few lilies blow.

And I have asked to be
Where no storms come,
Where the green swell is in the havens dumb,
And out of the swing of the sea.

Gerard Manley Hopkins

binkie · 23/07/2005 22:45

Keats (the master) putting those Jacobean dramatists in the shade:

This living hand, now warm and capable
Of earnest grasping, would, if it were cold
And in the icy silence of the tomb
So haunt thy days and chill thy dreaming nights
That thou wouldst wish thine own heart dry of blood
So in my veins red life might stream again
And thou be conscience-calmed. See, here it is
I hold it towards you

expatinscotland · 23/07/2005 22:48

'Demain, des l'aube' - Victor Hugo
'Nothing Gold Can Stay' - Robert Frost
'The Lady of Shallot' - Alfred Tennyson
'Bateau Ivre' - Arthur Rimbaud
'Mad Girl's Love Song' - Sylvia Plath
'Stopping by the Woods on a Snowy Evening' - Robert Frost
'O Captain! My Captain!' - Walt Whitman (read this at a dear friend's funeral - he was a huge fan of Whitman's - w/o crying)

MANY others!

binkie · 23/07/2005 22:50

And, on a different note, Henry King's The Exequy, which I am not going to write out as it makes me not be able to see for tears.

About a million others too. Michael Rosen's The Bathroom Fiddler (which is not rude).

mumbee · 23/07/2005 22:52

Thankyou for Robert Louis Stevensons "From a Railway carriage" & "If" Rudyard Kiplin Pam Ayres I had forgotten how good they are all are

When I was at school in the early 80's my class had to recite Night Mail by W H Auden for the rest of the school.

Since then it has been on of my favourites so here goes hope you enjoy it, read it as though you can here the train on the tracks it does work!

"Night Mail"

This is the Night Mail crossing the border,
Bringing the cheque and the postal order,
Letters for the rich, letters for the poor,
The shop at the corner and the girl next door.
Pulling up Beattock, a steady climb:
The gradient's against her, but she's on time.
Past cotton-grass and moorland boulder
Shovelling white steam over her shoulder,
Snorting noisily as she passes
Silent miles of wind-bent grasses.

Birds turn their heads as she approaches,
Stare from the bushes at her blank-faced coaches.
Sheep-dogs cannot turn her course;
They slumber on with paws across.
In the farm she passes no one wakes,
But a jug in the bedroom gently shakes.

Dawn freshens, the climb is done.
Down towards Glasgow she descends
Towards the steam tugs yelping down the glade of cranes,
Towards the fields of apparatus, the furnaces
Set on the dark plain like gigantic chessmen.
All Scotland waits for her:
In the dark glens, beside the pale-green sea lochs
Men long for news.

Letters of thanks, letters from banks,
Letters of joy from the girl and the boy,
Receipted bills and invitations
To inspect new stock or visit relations,
And applications for situations
And timid lovers' declarations
And gossip, gossip from all the nations,
News circumstantial, news financial,
Letters with holiday snaps to enlarge in,
Letters with faces scrawled in the margin,
Letters from uncles, cousins, and aunts,
Letters to Scotland from the South of France,
Letters of condolence to Highlands and Lowlands
Notes from overseas to Hebrides
Written on paper of every hue,
The pink, the violet, the white and the blue,
The chatty, the catty, the boring, adoring,
The cold and official and the heart's outpouring,
Clever, stupid, short and long,
The typed and the printed and the spelt all wrong.

Thousands are still asleep
Dreaming of terrifying monsters,
Or of friendly tea beside the band at Cranston's or Crawford's:
Asleep in working Glasgow, asleep in well-set Edinburgh,
Asleep in granite Aberdeen,
They continue their dreams,
And shall wake soon and long for letters,
And none will hear the postman's knock
Without a quickening of the heart,
For who can bear to feel himself forgotten?

(W H Auden)

likklemum · 23/07/2005 23:01

Haven't read that poem for years! Its great

binkie · 23/07/2005 23:01

George Herbert:

Sweet day, so cool, so calm, so bright
The bridal of the earth and sky
The dew shall weep thy fall tonight
For thou must die

Sweet rose, whose hue, angry and brave
Bids the rash gazer wipe his eye
Thy root is ever in its grave
And thou must die

Sweet spring, full of sweet days and roses
A box where sweets compacted lie
My music shows ye have your closes
And all must die

But only a sweet and virtuous soul
Like seasoned timber never gives
What though the whole world turn to coal
Then chiefly lives

That one in particular very dear to the memory of my friend who died of AIDS, and who was the most inspiring teacher of poetry I have ever known.