@TheProdigalKittensReturn
Oh my goodness, this is really so true. And it's interesting to hear the rhetoric when someone complains that a film or movie has been so crammed with didactic drivel and virtue signalling that it affects the narrative - its all very, well, you just hate diversity and what to be able to say things that are wrongspeak, what's your problem with fighting $%#ism and &^phobia?*
Part of what's going on here, I think, is that the majority of people in the pro censorship group just aren't very creative or really all that interested in creative work. They want media that's aimed directly at their personal fantasy pleasure centers, kind of like if someone took their own fantasy life and just added a bit of professional polish and better special effects. When they get actual creative work instead they get irritated, because that's not what they seem to think media is for. I think we can see the same thing in the petulant responses to Rowling. They thought her job was fleshing out their fantasy lives for them and are very irritated to discover that she's a person with interests of her own instead and not particularly interested in being their service human, the creative version.
I don't know that I'm putting this very well but if you're someone who's involved in any sort of creative work yourself it's very obvious that what that group of people are looking to get out of reading or watching films or whatever is not what most of us look to get out of those things.
No, I think you're very clear and it's a perceptive observation. There is no sense for this group that art or literature is meant to present some sort of coherent idea, or be challenging, or difficult. I think this is why you get people who are in their 30s and still reading HP.
In general something I've noticed about these people, and those who seem to be associated with this sort of thinking, is that they are very lacking in imagination and the ability to make connections. Things just are what they say. They aren't able to anticipate complications, or how things like a change in the law could play out in, say, 50 years.