Please or to access all these features

What we're reading

Find your new favourite book or recommend one on our Book forum.

My year with Stella...

220 replies

Waawo · 30/12/2025 22:52

...has begun!

I plan to spend my fifty somethingth year - and that surely is some kind of mistake - reading all of Stella Gibbons' novels. There are 26, of which I've previously read less than half, and own less than a quarter.

Since I want to read other things too, I'll try to squeeze each novel into a week, leaving a week in between for some variety. Some are not quite novels that can be read "while you eat an apple" though, so this may not work out.

Yesterday I wandered down to Waterstones to treat myself to a nice new reading copy of Cold Comfort Farm - the first novel, published in 1932. I've read this before, a few times in fact. It's a tale of our heroine Flora's attempts to tame her somewhat wild Sussex-based distant relations, as an alternative course to just getting a job.

I'm a few chapters in now, and the familiarity makes it a bit like slipping on comfortable pyjamas or slippers. I'm amazed how amongst the, honestly, slightly obvious seeming rural parody, Stella shows herself as sharp as a tack. For instance, she clearly knew what more recently we might call a 'crazymaker', since this is one the best descriptions of such a person I have read, by any author:

"If she intended to tidy up life at Cold Comfort, she would find herself opposed at every turn by the influence of Aunt Ada. Flora was sure that this would be so. Persons of Aunt Ada's temperament were not fond of a tidy life. Storms were what they liked; plenty of rows, and doors being slammed, and jaws sticking out, and faces white with fury, and faces brooding in corners, and faces making unnecessary fuss at breakfast, and plenty of opportunities for gorgeous emotional wallowings, and partings for ever, and misunderstandings, and interferings, and spyings, and, above all, managing and intriguing. Oh, they did enjoy themselves! They were the sort that went trampling all over your pet stamp collection, or whatever it was, and then spent the rest of their lives atoning for it. But you would rather have had your stamp collection."

Really looking forward to discovering the rest of her oeuvre. Enbury Heath is one of my favourite books ever - if there's anything else as good as that, this will have been time well spent!

I know there are a few here who like to see covers, so I've added a picture :)

My year with Stella...
OP posts:
Thread gallery
151
Waawo · 13/08/2026 06:13

FruAashild · 12/08/2026 22:59

Are you going to rank them when you are finished?

Hm, I don't know. At the beginning I had planned to. I have mentioned a few times so far my favourites as I've gone along; and I recognise that in any long career (in any entertainment industry, TV, music and films are the same I think) nobody can sustain their best quality work throughout.

But this whole thing started with the idea of reading and considering an author's entire oeuvre as a whole, so I think I'm coming to the opinion that an absolute ranking book-by-book might miss the point?

OP posts:
Waawo · 24/08/2026 22:14

To the British Library tonight to read Stella's first short story collection, Roaring Tower and Other Stories, published in 1937 (although almost all of the stories were published in magazines first). First time for me in Humanities 2 tonight which a couple of people have told me they prefer to Hum 1, but I remain unconvinced. The higher ceiling in some areas is nice I guess. It was certainly busy at 4pm when I arrived, very few free desks.

There are fifteen stories in the book; I'm not as much of a fan of short stories as novels, and some of these are very short, which means almost no real story arc and deep character development. They are though an eclectic mix, some are fairly obvious, some much more thought provoking. There's no real humour; it's like Stella was using the short story format to try out other things.

Some of the stories definitely feel like the kind of thing that could be used on Tales of the Unexpected or Mystery Theater. Some are definitely fairy tale inspired. But some are just perfect little miniatures, that give about as much as you could expect from something that takes 10-15 minutes to read.

My favourites are probably Snowbound, an almost Dickensian tale of a couple who because of a broken down car end up spending Christmas in a very different way to how they had planned; "Single, St. Albans, First Class" which is a strange and macabre tale of strangers on a train; and The Visiting Moon, a melancholic tale of regret at lost lives un-lived, in which a visiting old-girl giving a speech at her alma mater, on meeting a young girl watching a secret and forbidden love playing netball, reminisces about her own time at the school.

But my favourite quote comes from the titular story, Roaring Tower:

Alas! the bitterest lesson I have since learned is how gently and remorselessly Time steals even our dearest wounds from us.

(But that may just be a symptom of getting old!)

The last pictures show the cunning protective box that the book is stored in; I believe this is something made by the BL, nothing to do with the original publication.

My year with Stella...
My year with Stella...
My year with Stella...
My year with Stella...
OP posts:
Waawo · 26/08/2026 16:24

Back to the BL the following night, for Beside the Pearly Water, published 1954 and the last volume of Stella's short stories.

Another first time in a Reading Room, this time the Rare Books and Manuscripts room on Floor 2. I liked this room at first - it's larger, and feels much more expansive, especially at the edges where you're not underneath the 3rd floor, but the ceiling slopes upwards to the top of the building. However, between about 6pm and 8pm, the staff at the desk were very noisy which was a bit annoying!

The title story in this one, Beside the Pearly Water, at over eighty pages, isn't really a short story, it's heading towards novella territory. It's good, although the ending - and I mean the ending, as in, in the last two paragraphs - is completely shocking!

Love the language that crops up in Stella's stories:

From the air, the Firth of Clyde looked like a limitless sheet of pale cooling jam, rippling thickly, silkily, when the wind struck it, just as the surface of a still-warm preserve does when the pan is tilted.

…in the beautiful, dark, weary flesh she had worn over her spirit for thirty-seven years.

There are eight other stories which are more traditional short story length. My favourite is probably Listen to the Magnolias, about a middle aged middle class widow who is stressing about American soldiers being billeted in her now too-large, too-empty house, who turn out to be not at all what she expected.

There are now only two books left on the list that are out of print and are harder to get hold of: Collected Poems, which is at the BL and I have mentally lined up for my next visit; and The Wolves Were in the Sledge, which I've just bought in a timely eBay auction. Everything else still to be read is generally available from Vintage or Dean Street Press. The end of the year suddenly doesn't seem that far off!

My year with Stella...
My year with Stella...
My year with Stella...
My year with Stella...
OP posts:
Waawo · 29/08/2026 05:01

Feels like I've fallen a bit behind with the Stella novels. So the next one has arrived and is ready to go. The mistake on the graphic cover has finally been fixed in this printing! White Sand and Grey Sand is the correct title as per the hardback edition, but it was wrong on the graphic cover for ages...

My year with Stella...
My year with Stella...
My year with Stella...
My year with Stella...
OP posts:
FruAashild · 29/08/2026 05:47

Those old and new front covers suggest two completely different books! So is it set in Oxford or at the coast???

Waawo · 29/08/2026 08:13

FruAashild · 29/08/2026 05:47

Those old and new front covers suggest two completely different books! So is it set in Oxford or at the coast???

The book is set in Brugge. The cover artist of the old book has used a bit of license to make the spire of the Church of Our Lady slightly more prominent - I've attached a pic of the city that's reasonably close to the cover though.

The new cover, it looks as though the artist only read literally the first scene of the book ;)

Although grey sand is mentioned in that first scene, I had assumed that the title referred to the children's song, that itself refers to the sand used in pen pots - white when new, grey when adulterated by ink. The book starts during the German invasion during World War 2, and so themes of change and darkening seem appropriate. But who knows, I'm only in chapter one, maybe what the title means will become obvious through the telling!

My year with Stella...
OP posts:
MissMappsGardenProduce · 29/08/2026 12:38

I couldn't sleep last night and so read your thread @Waawo from beginning to end which meant-half way through-I didn't want to go to sleep!

Anyway, I just want to say how much I have enjoyed your top notch elegant reviews.

I feel sure that you must be a literary professional of some kind and, if not, you could give lessons to those who are!

Thanks.

Waawo · 29/08/2026 13:27

MissMappsGardenProduce · 29/08/2026 12:38

I couldn't sleep last night and so read your thread @Waawo from beginning to end which meant-half way through-I didn't want to go to sleep!

Anyway, I just want to say how much I have enjoyed your top notch elegant reviews.

I feel sure that you must be a literary professional of some kind and, if not, you could give lessons to those who are!

Thanks.

Thank you, what a kind thing to say 😀

Not any kind of literary professional, I do a very dull job that’s nothing to do with books. Perhaps that’s why books are my escape.

OP posts:
Waawo · 01/09/2026 17:11

Something completely different today.

Earlier in the year, Mayor of London Sadiq Khan announced that London’s ‘Hopper’ bus fare - allowing a second journey that starts within 60 minutes of the first, for no extra money - would be extended during weekends in July and August to allow unlimited travel on London buses and trams for a single fare (£1.75 for adults).

I was wondering, how far could you travel for that single fare? And that led me to thinking about the Superloop bus services, which have recently been “completed” with the addition of SL4 going under the river through Silvertown tunnel. A plan started to come together for a kind of circumnavigation of London via TfL buses, one Saturday in August.

I worked out a route that involved ten hours of travel time, knowing it would likely be at least twelve hours of real time, allowing for missed connections and diversions. Casting along my bookshelves for reading material for the day, I saw a copy of Iain Sinclair’s magnum opus London Orbital, which just felt perfect. Sinclair was walking close to the M25, so further out than I would be; but still navigating a loop around London. I bought the book in a second-hand shop in Greenwich last year and it’s been on the tbr pile since then.

Not long after, there was a thread on here about books which people have abandoned.

I had by this time got the idea that the Sinclair book was actually called Orbital; I was surprised to see people mentioning DNFing Orbital “despite this being such a short book” - London Orbital is 552 pages, which tipped me off to what was going on here. People on the thread were of course talking about Orbital by Samantha Harvey, about a single day on board the International Space Station. I ordered a copy from the library.

Finally the day rolled around and I found myself leaving home at a ludicrously early hour, reaching North Woolwich just after first light waiting for the free ferry to cross to the south bank of the Thames to begin the circle. I was wondering how I would feel twelve hours later, standing at the same place, and whether this would be a wasted day?

To the north, I could see (and hear!) planes taking off from London City Airport. Most of their passengers (if not the crew) were on non-circular journeys, and any who were back at that airport later that day were almost certainly “out and back” travellers. Meanwhile, I was waiting for the SL11 bus to Abbey Wood to begin my own giant circle.

I think that circular routes are much more satisfying than travelling in a straight line, turning around and then doubling back on yourself. When you turn around and start back the way you came, it’s almost like you are erasing the outward journey. Each step of a return walk ‘undoes’ a step of the original walk, until you are literally back where you started, at some point in the future. Circular journeys, however, even when you end up exactly where you started, retain their whole selves; there’s a curious kind of singularity to the journey as an experience. There’s no point to the journey: you aren’t going anywhere for the sake of getting there, only to pass through; and you are not passing through to get somewhere else, but only back to your origin. Curious.

Sinclair describes London’s orbital motorway, the M25, in much the same terms. Truly, it’s a road to nowhere: keep going long enough, and you’ll eventually end up back in the same place. Thankfully the book isn’t only, or in fact even mostly, about the motorway. Rather, it’s about the edges of London that the M25 still for the moment demarcates, and the people who live there. Sinclair starts psychologically at the Dome, then begins in earnest at the river, in the east - the Dartford crossing and tunnels - and travels anticlockwise, the opposite way to me. Through Essex first and some pretty rough country to be fair.

I meanwhile was travelling on the SL3 and SL5, through much of what I still think of as North Kent, through to Croydon and a short section that had to be done on foot, through the Whitgift shopping centre. Even on a journey like this, in London you’re never far from a retail opportunity. Then on to the longest single segment of the whole day, over two hours from West Croydon bus station to my second airport of the day and Heathrow bus station. In the area around Heathrow there were by now many planes coming and going, more people breaking out of London, while I attempted to encompass it.

Sinclair meanwhile is proving very prescient about the state of our nation. I mostly read older books, much older fiction and somewhat older non-fiction and of course, in hindsight, this fag-end of the 20th century tale has all the hints you could want about the next stages of capitalism that were soon to be upon us. Blair’s PFI, dodgy deals being quietly buried under the cover of 9/11, the gradual but relentlessly accelerating hollowing out of our society for the ultimate profit of venture capital. It’s all here, sadly. And of course this process hasn’t stopped: in years to come, there’s a good chance this section of the journey, twisting through Heathrow to the central bus terminal, will look very different. If the airport is expanded according to the current plans, it won’t be only the bus station that moves: the M25 itself will be re-routed to make way for a new runway.

After Heathrow, back north of the river and the bus journey took on the feel of the homeward leg. SL9 to Harrow, SL10 to Finchley - the north west of London is a giant unknown to me. SL1 to Walthamstow, back into the east and where I feel more comfortable, then the SL2 to North Woolwich and the journey’s ground zero. The other thing about circular journeys is the tantalising idea that you could just carry on, do lap two, and keep adding kilometres. In fact, I did cross the river on the ferry again, for other reasons, so I had begun a second go around. Handy that the free ferry is genuinely free, since it didn’t impact the total fare for the day.

Sinclair has to travel through Surrey, and back into the south east of the city, leaving only the question: will he make it the entire way around before his self-imposed deadline of the (some said) end of the millennium? I split off from the route in Woolwich and headed home. For those wondering, I travelled for 13.5 hours and covered 183km for the £1.75 summer Hopper fee.

A few days later, Orbital was available in the library. I picked it up and read it while walking twice around Millwall dock, another orbit on a much smaller scale. On the map the dark waters of the dock, contained within the stark red line, matching the cover of London Orbital, look like a zero, a nothing. Deep, mysterious waters. The occupants of the ISS are on their own seemingly endless series of orbits - fifteen or sixteen orbits, fifteen or sixteen sunsets and sunrises a day. They are on one of the most technically complex machines ever built, one that has travelled millions of kilometres, and yet in one sense has travelled nowhere at all. The ISS is a means of occupation, not exploration. The astronauts, earlier this year, were thinking of the Artemis II Moon mission, and how that spacecraft would be breaking free of the orbit the ISS is confined in: just like the planes leaving London behind earlier. Perhaps one day the Moon too will become another site of occupation, while the explorers continue outwards.

I loved the book and the reflections on what the astronauts meditate on during their constantly changing, but somehow always basically the same, views of the Earth below. It is a short book, and that feels appropriate, but an interesting one nonetheless.

I took one last look through my pictures from the bus odyssey, and came across one which I had missed first time around. The last picture of the day, taken from the river at Woolwich, with - what else? - Anish Kapoor’s sculpture ArcelorMittal Orbit peeking over the skyline, seems like an appropriate place to end.

My year with Stella...
My year with Stella...
My year with Stella...
My year with Stella...
My year with Stella...
OP posts:
Waawo · 01/09/2026 17:13

And the other four images...

My year with Stella...
My year with Stella...
My year with Stella...
My year with Stella...
OP posts:
Waawo · 02/09/2026 19:10

Just finished novel #17, White Sand Grey Sand, published in 1958. It's another I have marked as a top read 😀

It's very different from most of Stella's earlier novels: in the main, there is very little in the way of invented "novelistic" situations, it's more just "here is a family." It just feels more mature, a very grown up kind of history, covering almost twenty years if comings and goings in two linked (by geography) families.

Our hero, Ydette, is a foundling - found on a beach near Brugge at the very start of World War II, with no way of tracing her parents. Instead, she grows up with the two Maes sisters, selling vegetables and flowers from a small shop in the shadow of "the big house," home of the van Roeslaere family.

There is a small section of the book set in London; but otherwise, the action doesn't really move from Brugge and its surroundings. And yet, it's compelling.

By the end - no spoilers! - you can't help but feel like you've just read a real saga; but the resolution, as they tend to be in real life, is the realisation that whatever went before, life, and the family, will go on. "The powerful play goes on," and that's the feeling you get at the close of the book.

Despite not being a comic novel, Stella does show she hasn't lost her ability to see the comedy in everyday events. A Christmas card arrives; for narrative purposes, the line could be: "A Christmas card arrived for Yvette. It said..."

Instead:

It represented two sly but bold-looking robins who, judging by their bloated silhouettes and comatose stance upon the snow-covered bough which supported them, had been generously anticipating their Christmas dinner. In the background, a church had attracted through snowdrifts some eight or nine feet deep a congregation in stove-pipe hats, muffs and crinolines, whose footprints were lightly and neatly outlined on the white background. In one corner a cluster of bells tied with frosted ribbons in which a sprig of holly was thrust rang out the notes of 'Silent Night, Holy Night!' evidently to encourage a coach drawn by eight horses, rearing spiritedly in spite of being almost saddle-deep in snow, which was careering away into the distance, beneath a sky promising yet heavier downfalls. Inside was written...

Well, it made me laugh anyway!

Next up: A Pink Front Door.

My year with Stella...
OP posts:
Waawo · 03/09/2026 08:41

Helpfully the next book, A Pink Front Door, has arrived!

My year with Stella...
OP posts:
Terpsichore · 03/09/2026 09:30

What a fantastic bit of writing about your circular journey, @Waawo ! 👏👏 I'm hugely impressed by your stamina too 😂 It also made me guiltily aware of my copy of London Orbital which is somewhere around but unread to date.

Have you seen Patrick Keiller's film London?

(PS I really enjoyed Orbital too)

Waawo · 03/09/2026 11:07

Terpsichore · 03/09/2026 09:30

What a fantastic bit of writing about your circular journey, @Waawo ! 👏👏 I'm hugely impressed by your stamina too 😂 It also made me guiltily aware of my copy of London Orbital which is somewhere around but unread to date.

Have you seen Patrick Keiller's film London?

(PS I really enjoyed Orbital too)

Edited

Thank you!

I haven’t seen the Keiller film - but having just googled it, it sounds like my kind of thing! Free-trial to BFI player ahoy, no doubt I’ll forget to cancel and it will just be added to the long list of streaming subscriptions that seem to make up modern life…

[ETA: more adrenalin than stamina I think - I did literally nothing the next day lol]

OP posts:
Waawo · 07/09/2026 19:24

Finished novel #18, A Pink Front Door (1959)

This is another of Stella’s books that firmly belongs in the ‘London Novels’ - the action takes place entirely in North London, almost all in Hampstead - Stella’s home patch.

Our hero this time is Daisy, who cannot stop herself helping others. Finding rooms, finding furniture, helping people move around, being a relationship counsellor - basically, she is the ultimate people pleaser. Husband James, on the other hand, is getting more and more fed-up with their tiny house being full of people who need to be pleased almost every night. And when Molly starts turning up to cook a meal for James on evenings when he gets home to an empty house, it seems obvious which way things are going to go.

This is surprisingly modern in some ways. I mean the setup above, is still being written about in romance novels now (admittedly, not written straight as it is here). But it’s also got it’s fair share of dated elements too, not least, that James expects to come home to a wife with a meal ready and feels entitled to grumble when that doesn’t happen! Not saying there aren’t people like this now of course, but in a broad sample, many more people now would raise an eyebrow and wonder if he wasn’t being totally unreasonable!

Anyway, I liked this because of the setting, and as always with the London novels it’s a perfect little world. I can’t help but wonder if Stella herself ever felt put upon to help people out: even the saintly Daisy gets cross at times at people who seem unwilling to do the slightest thing to help themselves. The variety of people in Daisy’s friendship group, formed at university, is also striking. I’m sure in 1959 it was saying something quite profound about the changes to the system that saw sons and daughters of gentry mixing with (small numbers of) people from much humbler backgrounds.

Next up: The Weather at Tregulla. When I’ve read that one I should be just about caught up with my very rough schedule for the year. Less than four months to go, still eight novels, one book of short stores and one volume of poetry to read!

My year with Stella...
OP posts:
Waawo · 08/09/2026 15:14

Getting good at this Just In Time delivery lark 😀

My year with Stella...
OP posts:
Waawo · 11/09/2026 16:42

So this thread is about reading the entire published work of one 20thC female writer; but in the gaps between, I've accidentally completed another: Harper Lee.

(Yes, three books is hardly comparable, but there we are.)

The interesting thing about Lee's oeuvre is that reading in publication order is actually reading the work as it was written, but backwards.

The Land of Sweet Forever, from last year, contains eight short stories that pre-date either of the novels. (The second half, eight published non-fiction pieces, are from later, but they feel a little like filler to be honest.) It's hard to know how much is hindsight, but the characters in these short stories seem to all have a little bit of what would later be Scout in them.

Go Set A Watchman (2015) was written prior to the novel it eventually became. It's not quite right to call it the first draft of Mockingbird, and it certainly generated a lot of noise when it was finally published. There are two interesting pieces here and here. I was amazed at how someone responded to a comment about there being "something here" by literally writing another novel which answered the same question, but starting from the other side.

Lastly, or firstly, there's To Kill A Mockingbird itself. It's hard to know what to say about this that hasn't already been said, approximately eight million times. But, with full knowledge of what Harper was trying to say (gained from Watchman), it does add something to a re-read. It's interesting from a writing technique point of view as well: imagine starting to edit your novel, thousands of words, and coming to the point where you realise, nope, this won't do, need to start over... 😮

My year with Stella...
My year with Stella...
My year with Stella...
OP posts:
Waawo · 17/09/2026 14:11

A quick lunchtime sojourn out of Soho and into Covent Garden today, specifically to 39-40 Bedford Street, previously home (for over a hundred years) to The Lady magazine.

It was here - in a “back room at the end of a corridor” apparently - that young Stella wrote her masterpiece Cold Comfort Farm, in her spare moments. I love walking these streets, where so much life has gone before, and where Stella wandered in and out to her work, and to get her tomato sandwiches for lunch 😀

Of course, this being London, the site is being redeveloped. Don’t look up what the development is going to be, it’s far too depressing. I’ve added a picture from the internet of what the building looked like before The Lady folded.

My year with Stella...
My year with Stella...
My year with Stella...
My year with Stella...
OP posts:
Terpsichore · 17/09/2026 17:15

Waawo · 17/09/2026 14:11

A quick lunchtime sojourn out of Soho and into Covent Garden today, specifically to 39-40 Bedford Street, previously home (for over a hundred years) to The Lady magazine.

It was here - in a “back room at the end of a corridor” apparently - that young Stella wrote her masterpiece Cold Comfort Farm, in her spare moments. I love walking these streets, where so much life has gone before, and where Stella wandered in and out to her work, and to get her tomato sandwiches for lunch 😀

Of course, this being London, the site is being redeveloped. Don’t look up what the development is going to be, it’s far too depressing. I’ve added a picture from the internet of what the building looked like before The Lady folded.

Urgh. Are they keeping the facade, which I suppose is vaguely better than nothing, but is a horrible trend all the same?

I love the idea of SG writing her book at work, it’s in a great tradition of women secretly penning things undercover. Cf Stevie Smith and Novel on Yellow Paper.

Waawo · 17/09/2026 18:16

Terpsichore · 17/09/2026 17:15

Urgh. Are they keeping the facade, which I suppose is vaguely better than nothing, but is a horrible trend all the same?

I love the idea of SG writing her book at work, it’s in a great tradition of women secretly penning things undercover. Cf Stevie Smith and Novel on Yellow Paper.

Work has been going on for some time already, so I imagine if the facade was coming down, it would have happened already. It's a surprise, as the building isn't listed. But there may be local restrictions. In fact I've just checked, it is inside the Covent Garden conservation area.

The end result will be a "six storey entertainment mega development." Sigh. Basically a giant restaurant, with a "traditional London pub" (built from scratch, obvs) on the ground floor. Except it won't be traditional: it will be a place for hedge fund managers to drink £10 pints, £25 cocktails, and upstairs eat £250/pp meals.

OP posts:
Terpsichore · 17/09/2026 18:31

Waawo · 17/09/2026 18:16

Work has been going on for some time already, so I imagine if the facade was coming down, it would have happened already. It's a surprise, as the building isn't listed. But there may be local restrictions. In fact I've just checked, it is inside the Covent Garden conservation area.

The end result will be a "six storey entertainment mega development." Sigh. Basically a giant restaurant, with a "traditional London pub" (built from scratch, obvs) on the ground floor. Except it won't be traditional: it will be a place for hedge fund managers to drink £10 pints, £25 cocktails, and upstairs eat £250/pp meals.

Edited

🙄😭🤬

Waawo · 18/09/2026 08:13

I popped in to the Covent Garden branch of Waterstones while I was passing. Very unusual not to have a copy of CCF - maybe someone had just bought the shelf copy! 😉

My year with Stella...
OP posts:
Waawo · 19/09/2026 07:48

Aside from her published books and articles, Stella has left behind a very small amount of ephemera - there is no video that I know of, very little audio, and not even a massive number of pictures. Her first novel was published almost a hundred years ago and "things were different then" I suppose, but even so, she continued publishing until 1970 and writing into the 1980s. It feels like a carefully limited "footprint."

What a joy then to come across this at the website of The Keats Shelley - a museum in Rome "dedicated to the British romantic poets in Italy".

A hand written manuscript, in Stella's own hand, of her poem Writ in Water - written in memory of John Keats.

Although I generally think that an artist's work is their best memorial, and don't go overboard on celebrity accoutrements, it is nice occasionally to see something that's a little closer to the actual person, something they actually touched or wrote or whatever.

The text of the poem reads:

Writ in Water
In memory of John Keats

What stronger rune to be written in?
Seething, or locked in arcane permafrost.
Sans water, man would shrunken be, and lost.
His very substance is of water made,
Of water, and of dust.

Whither its cloudy depth, secret and warm,
Shapeless and colourless, his primal shade,
A pulsing jelly, burgeoned into form.
Three days he can exist without the thin
Life-making flow. And music, in full streams,
Pours down all hills, giving voice to dreams.

Sweet boy, bright star eclipsed at twenty-five,
Your genius erred in thinking water humble -
Rivers shall run while Earth herself’s alive;
Iron rust, stone crumble.

My year with Stella...
OP posts:
Terpsichore · 19/09/2026 08:02

I like her characterful handwriting, @Waawo

Waawo · 19/09/2026 13:28

Terpsichore · 19/09/2026 08:02

I like her characterful handwriting, @Waawo

Yes me too. I wish I could write. All I ever do is block caps on forms really :/

OP posts:
Swipe left for the next trending thread