The Tiger Who Came To Tea

Ok, I think you have to read TTWCTT in partnership with When Hitler Stole Pink Rabbit.

It is a young girl's attempt to understand the loss of her former life.

The tiger, Nazi's, invade the home, initally seeming threatening but being absorbed into the family and normalcy, this refers to those who failed to fully recognise the threat and remained in Germany and were killed, the family friend in WHSPR.

The tiger gradually removes everything good from the family, food, access to water (allegory for freedom of movement etc).

Father returns home, recognises true risk and has a good plan, to flee, that's why Sophie is in her nightie. Cafe represents Paris, where Judith Kerr and her family initally fled to; but as said previously fomesti cat and dark man in the background on the journey there represent the ongoing threat.

Purchase of tiger food indicates, we must never forget.

I think it is significant that the Tiger looks so much like the Nazi 'cats' in Maus and think there is some shared artistic view there...

I can recite the whole book, word for word, which is handy in the car. When my DD is being hard to please I change the tiger for another animal (elephant, lemur, whatever). They then have to speak in different voices.

The tiger sounds like Leslie Phillips; the elephant is deeper (obviously); and the lemur speaks very quickly and excitedly.

I need to get out more.

We are in Tiger-mode with the 2yo and I think some of the suggestions here are fantastic.

Sorry Judith Kerr, but being the author gives you no special rights or ownership. Once you have written the text then we have the right to read and interpret as we choose

Good thread!

cory could you bang a 1200 word essay on "the usefulness of the concepts of tradition and dissent in understanding attitudes towards the built heritage of Ireland" then please? I've done 200 words and need to get the rest done by lunchtime on Friday but can't be arsed face it this evening...

Bloody foundation course for OU BA inEng Lang/Lit that I didn't have the opportunity to do when I was young.

Easy peasy lemon squeezy for you, I would think!

Youngvisiter - I agree about the tea and sugar.

Does he annexe though? He is in a long line of racial others (Heathcliff, Dracula, Paddington) who are invited to cross the threshold.

Unlike the more dangerous characters in that line-up he also leaves at his own bidding: 'I think I'd better go now' and he went.

Like Paddington his comic force comes largely from his attempt to follow British conventions and his attempt to appear au fait with British manners.

He could of course destroy the tea table, but wants to sit there as an equal. He can't be as controlled and disciplined as his English friends but doesn't really notice that he is breaking lots of rules.

The purchase of the tin of tiger food puts him back in his place on this reading because, even if he comes back for tea, he will not get cakes and beer. He will get food that relegates him to the status of a racial other.

On the bulimia idea, most of the pictures show Sophie being affectionate towards him and so the focus is on him as a figure for her desire to eat everything on the tea table rather than the few bits she is allowed.

The carnivalesque reading works really well and accounts for that sense of relief and new appreciation of plain old daddy-centred home life at the end.

No I am not giving this seminar, RedLentil! I am staying right here under the table with my biscuits!

my sister has taken her dd down to the local Tesco Express (via the car) in her pjs and coat before - niece loved it! she would of course be turned away now

but I think the man is nice she's had a bad day and she feels like shit and he comes home and does something nice ... takes them out for tea. It is a good idea to go out to eat in those circumstances!

and there was I thinking I was the only one who had worked out what was really going on in this book!

Mu interpretaion isn't anywhere near as deep as other peoples ... to me Sophie's mum is just having a bad day ... when I'm having one I always think "ahhh the tiger has come to tea"

i hate the way the beer is referred to as 'Daddy's beer'. when i'm reading it i edit that to just 'all THE beer'.

oh dear - I appear to have checked my typing skills and grammar at the door.

YOU'RE a human being.

WHO'S read a few books.

I won't even get started on READERING in my last post.

Lots of big red circles on my essay today.

"Judith Kerr (author of Tiger) has said that sometimes a tiger is just a tiger"

Tcha - authors always come out with that crap.

It's only so they aren't called upon to reveal the "definitive" reading.

Anyway, what did she do, undergo therapy to check all her cultural baggage at the door before writing? If you've a human being, especially one whose read a few books, a tiger is never just a tiger, especially not one that talks, eats you out of house and home, and plays the flute.

One can also argue that actually what the author meant is not that important - it's also what the reader can take from it. It takes two to tango enjoy a book. Or three of course, if you've got a pre-schooler on your lap.

[bangs gavel]

This is my favourite thread ever. No time to read it now so marking for later.

One point, though, Judith Kerr (author of Tiger) has said that sometimes a tiger is just a tiger (or something similar). Of course, she could have been subconsciously writing about desire, etc.

Can't wait to read this later...

love it domestic!

Ok, another thought - what about an allegory of colonialist behaviour? This readering expresses the anxieties the British felt about their identity in a post-colonialist world, and their confused feelings about the wave of post-war immigration from their former colonies.

Following Indian independence in 1947, we see the Tiger (long-time sympbol ofthe exotic East) rise up against the former colonialist masters.

In an aggressive act of annexation he forces his way into their "land" and disrupts daily life, symbolised by the quintessentially British "tea" - which is of course, a symbol of the way the British have been leeching life out of the East for centuries via their tea plantations.

The tiger reclaims the wealth (tea, sugar) that his former masters have plundered from his land, and forces the women to serve him, just as colonialist powers forced the women of their former colonies to "serve" them in multiple ways.

At the end we see him literally drain the "land" dry with the consumption even of the stuff of life - water.

But in a disquieting act of acquiescence, he agrees to leave after having his fill. The last page holds a warning though - you must always keep a stock of supplies, in case the aggressor returns...

..er, righto,....or it could just be one of those barmy stories we all make up from time to time to entertain our LO's...

I feel a module coming on domesticslattern.

In the final class we could link the excessively polite, inadvertently disruptive and exotic tiger (who seems to think he has observed the conventions of a British high tea) with Paddington whose carnivalesque potential is also linked closely to his status as a racial other.

Personally I always thought that the book was an expression of the Bakhtinian spirit of the carnivalesque, in which the social hierarchies of everyday life? their solemnities and pieties and etiquettes, as well as all ready-made truths?are profaned and overturned by normally suppressed voices and energies. Thus the order of the home becomes overturned by the visitor, and the ideas and truths of the "tea" are contested, by unruly behaviour. There is no separation of the spectator and the participant, as the child and mother partake with enthusiasm in the new world order, taking pleasure in the disorder and misrule. However, as with all carnival, the energies must be finally suppressed and order restored, in this case by the return of the patriarchal figure (Sophie's daddy), whose hat and briefcase are clear representations of the world of order and business. The "fooling" of the carnival comes to an end, and the proper order is restored, as evidenced by the way in which the father is seated while the child and mother must stand, awaiting his judgement. His "good idea", with its undertones of excitement and novelty, allows a connected segue from the true carnival to the absolute return of order, but is clearly on his terms. Authority is restored and there is no resistance from the carnival participants. As with all carnival, there is the hope of ordered disorder to come, but it is clearly confined ("canned") and so rendered safe.

Cory, after all that reading I misread your post. You are giving the seminar ...
Good luck with that.

That's great about the water. Thanks for that. The rationing thing says on one level that sometimes food in a story is 'just food'.

Sparkly-that idea about bulimia links into all the other ones about power, desire and regulation of the body.

Bikerunski ... rofl at risk assessment.

The version of Little Red Riding Hood that generally gets a reaction is this early French one.

And of course sausages, chips and ice-cream in a cafe is a child's food orgy of sorts.

The both/and comment wasn't flippant really: just as Dracula can be a figure of the fear of the collapse of the empire and hatred of it, any figure of desire will tend to be represent multiple and contradictory impulses.

I'm always interested in the picture of the cat in the street, standing behind them as they walk away from the house. The women are outside, but in the protective armlink of their 'father' and on their way to their sanctioned treat.

Behind them stands a tiger-striped domestic cat, looking very content. So the women's desire has been reduced to manageable and domestic proportions. So women's desire reduced.

Meanwhile, behind the cat is a dodgy looking geezer with his face concealed. He is certainly of a different class to the family in terms of dress, and could be just freezing or have something to hide. He is walking away though now and represents no threat to the father and his girls who can only look at him. So the threat of men's desire has been tackled also.

One could also offer a more political reading and say that it is about rationing and the government control of food during the war (and much of the 50s).

After all the book was published in the 60s when food rationing was a very recent memory - certainly for all the parents reading the story. Food rationing continued until 1954 and petrol was being rationed as late as 57.

The tiger could be seen as the dangerous figure of the squanderbug - encouraging excessive, unrationed consumption.

This reading also provides a satisfying explanation for the otherwise slightly puzzling introduction of the consumption of the bath water - whereas a rationing model for the tiger accommodates this quite nicely, as part of the war campaign was to encourage people to take very shallow baths.

This may also explain the emphasis in the final episode on lights etc. When Sophie and her father and mother are walking outside we are told that all the shops and cars had their lights on - an oblique reference to the blackout, we presume.