Amongst all the action stuff, I thought part 2 really got the subtleties across well:
That even the moments of white compassion, when I outwardly cheered, were mostly only superficial.
e.g. the Dr. angry that Noah's mother had been overworked (literally) to death was more down to the fact one of his 'belongings' had been taken out of the workforce, not that a real, living and breathing human had suffered and died.
He even docked Evil Little Bastard Spalding's wages, but not to teach him a lesson about his abuse, just that it had cost the Dr.'s family a worker...
His dehumanising comments about 'breeding' Kizzy with Noah, as you'd talk about effing prize cattle, really made me shudder.
The compare-and-contrast lives between his daughter and Kizzy were excellently played out. Even when the Missy/ Kizzy friendship initially seemed quite sweet, any small slave still had to know her place.
All those telling comments the white, privileged little girls let slip about their slave playmate possessions. But the reading came out of it, at least. A major, major advantage.
And I'm devastated lovely Fiddler was killed off...had hopes that he'd be a constant, kindly presence in their lives, and eventually achieve Freedman status in his old age .
I suppose at least he was able to reclaim his birth name in the faces of the white killers, and Kunta and Kizzy survived entirely because of his quick thinking. I properly welled up at that bit.
As I did at Kizzy's fate now. Especially the river scene. I'm really intrigued to see the next plotline, but am already repulsed by her owner.
Although many scenes are so hard to watch, I'm really glad the makers haven't shied away from showing the exact brutalities meted out in that era. (Foot scene...aaaargh). This was the daily reality, after all.
Dalek,
I noticed that, too, and also the penny finally dropped for me that Noah is played by his RL son, Mandela!