Abra1d "'Bear in mind also that not every teenager is a confident & expressive sight reader of iambic pentameter with abundant archaic vocabulary. Not many adults are!.'
So we have to reduce study to the ability level of the less intelligent?"
No, not at all - you're conflating performing ability with comprehension. My 8 year old ds did a fantastic barnstorm through 'Now is the winter of our discontent...' earlier this week. He's a Plantagenet geek, currently obsessed with the discovery of Richard III, & I gave him the speech to have a crack at because I thought it would be fun.
Does he understand all the ideas in it? Nope. He's 8.
Equally, I have GCSE students who could analyse that speech, cold, & produce an A* response, but who'd shrivel like a slug in dry ice if I asked them to perform it in front of the class. Different skills.
I'm also irritated by this from LaQueen: 'Hey, let's make this so that just about every child, regardless of ability, can access Shakespeare, even if it's in a really basic, Bard-By-Numbers fashion - we'll get rid of the dreary stuff that can be hard to get your head around, and we'll replace it with diulted, more sparkly ways of studying it. Let's go'
Well,'irritated' isn't fair tbh - if more people actually took an interest in, & questioned, the teaching of Eng Lit, my colleagues & I would absolutely welcome it on the whole, especially if they took the trouble to inform themselves as to what we actually do!
MAKE us justify what we do. DON'T let us get away with laziness or complacency. The texts we're studying deserve better than that.
But the thinking behind it is quite wrong. Yes, Shakespeare belongs to all of us. Yes, we should all be able to access his work. He certainly wasn't the exclusive province of 'high ability' individuals in his lifetime.
But really, if all you want is 'basic, Bard-By-Numbers' - by all means set your students the task of reading the whole text, without focus or rationale. Let's not forget that we old gimmers were taking home dusty copies of Macbeth because those texts were not then in the public domain online.
I think it was probably an acknowledgment of the problem I mentioned above - reading an entire play around the class is an awful way to introduce it. You cast it, & immediately half the class are doing nothing, actually, that lesson. Several of your keen readers are actually pretty rubbish. You stop every ten minutes to explain what's going on (let's not count all the times you stop to prompt a reader who's lost his/her place or just lost interest).
You stagger to the end two weeks later. Everyone is utterly appalled to discover that no, that's not the misery over - now they have an essay to do! Everyone now officially hates Shakespeare. Shakespeare's contemporary adoring public would've bloody hated him if that's how they'd encountered Henry V or Macbeth.
So let's not do that. (& yes, I do know it wasn't always quite that ghastly in the hands of a teacher who was able to communicate a passion for Mr Shakespeare).
OK, let's get them to read it individually at home!
Hmmm. Why? The kids will want to know why. & I've yet to see a convincing argument, on this thread or in quite a lot of years teaching & examining GCSE Eng Lit. I've just had to introduce myself to Othello, which I'd never previously read in its entirety. Did I begin by sitting down with my trusty Complete Works? Did I chuff. I watched Lawrence Fishburne & Kenneth Branagh, then I watched Orson Wells. (& then I read the play in its entirety - but I'm teaching it, not studying it for a Controlled Assessment).
Please understand that I don't not set 'go away & read Romeo & Juliet' because of low expectations of my students. Or because it's difficult for me to do so - most of my current B-A* year 10 group would dutifully go away & read it. & I'd have no marking to do that week! Result!
I don't set it, because they'll get a lot more out of 'Right, that 300 word mini essay you wrote me last week on "so shows a snowy dove trooping with crows". THIS week I want you to find another quotation which links to the main idea from your essay - might be light/dark, or bird imagery, or peace/conflict, or iambic pentameter, or alliteration or onomatopoeia - & write another 300 words exploring similarities & differences between how Shakespeare used imagery &/or language in the two quotations. Oh, & there'll be a house point for anyone who adds a paragraph comparing the same idea in a DIFFERENT Shakespeare play.'
The way we teach Shakespeare in 2013 is a lot more work for both students & teacher than the way I studied Shakespeare at school in 1983. It's also a damn sight more enjoyable, rewarding & rigorous.