The Foundling is rather an oddity amongst GH's Regency romances - in that it is barely a romance at all. The hero proposes to the heroine on the orders of his uncle in about chapter 3, and we then see nothing more of the heroine until the final section of the novel, in which she shows support to him by offering to buy some substandard hats. This makes him recognise her worth and they indulge in a bit of affectionate chitchat. Damerel and Venetia it isn't - though the depiction of Gilly and Harriet's relationship is touchingly realistic.
In some ways The Foundling is a reworking of The Corinthian: rich young man is ordered to propose to suitable family connection, rebels against his ordered life and controlling family and goes off on an adventure. Just like Richard Wyndham, Gilly encounters various criminal low lives whom he thwarts, and a couple of silly young things whom he helps. I find GH's comedy criminals rather irritating - Liversedge has his moments (especially at the end when he turns out to have immaculate butlering skills) but it's not very believable that he would offer to do away with Gilly for payment from his cousin Gideon, and even though Gilly is apparently at risk of his life at one point the reader never doubts he will come through.
Tom Mamble is fun - one of GH's many spirited adolescent boys - but Belinda is so airheaded as to be utterly dull, and the subplot (pinched wholesale from Emma) about her devotion to a taciturn farmer is rather unconvincing. Similarly, Gilly's cousin Matt is a cardboard cutout Silly Young Man, and Harriet and her oppressive parents feel very familiar.
The redeeming feature of The Foundling, however (for me anyway), is Gilly (always referred to by his Christian name rather than his title, unlike other noble heroes) himself. Quite unlike most GH heroes (except perhaps Adam in A Civil Contract), he is young, short, skinny and no more than nice-looking. His kind, shy nature makes it very hard for him to stand up to his numerous well-meaning but overbearing relatives and retainers and the core of the novel is his quest to become a proper grown-up and assert his own opinions and boundaries. His character develops convincingly throughout the novel, whose climax is not The Clinch but the point at which Gilly finally tells his Uncle Lionel to shut up and let him make his own decisions for once. It's very reminiscent of those fantastic MN threads where the OP is dreadfully put upon by her dominating mother/ neighbour/SIL and after much encouragement finally finds her backbone and tells them where to go.
The Foundling will never be one of my favourite of GH's works - and I suspect GH recognised its weaknesses, which is why she reworked the plot in the (for me) more successful Sprig Muslin. But thinking of Gilly and his triumphs still makes me feel all warm inside.
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The Foundling: Georgette Heyer book thread no. 15
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MooncupGoddess · 03/01/2013 19:54
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