Thinking of trying Stagecoach Theatre School(81 Posts)
I'm not a pushy mother but have a rather energetic 4 yo DD who loves dancing and singing. Googled Stagecoach theatre school and saw some mixed feedback from MN a few years ago.
Does anyone have any recent feedback before I part with my cash?
Can you stay and watch initially?
Thanks for your help
So, what are you saying?
That I am for some strange reason lying about snack times?
No (though it is possible the 10 mins seemed longer to your ds
It is very worrying what you were told about prices etc. the principal could possibly have got into trouble if head office found out.
My 6 year old ds ended up with a bloody noise at stagecoach. The teacherleft the room. There were definitely more than 20 kids there. A fight broke out between the older ones, and one of them thumped ds.
I removed him immediately and demanded and got a full refund.
It is totally bizarre. You have refuted absolutely every single part of my post telling me it is untrue.
I must have Alzheimers.
But if you are in some way involved with head office, you might want to audit how the various branches are run, and the prices they quote.
And also the practice of offering trial sessions, then back tracking, and then phoning to get deposits paid after a child has decided to not take up the classes after all. Because whether the price for a deposit was £70 or £75, and the price for shoes £25 or £18 officially, is the point not rather the poor customer service and experience of Stagecoach?
(Which you are not really helping - a good customer service manager would try refute the situation and say something like "oh my goodness me what poor service you have had, let me assure you that this is not the way it should be" - or something to that effect)
There were no written board where prices were visible. But they were on the order form, which I dont have a copy of. They did not have my older sons size, but I bought the shoes for my 7 year old cash after the first day.
I am not involved with head office. I am principal of a local school and therefore know the rules I have to adhere to.
If someone isn't following the rules then they should be reported
I have occasionally in an emergency ran with larger classes (staff illness so had to combine two age groups) but then made sure I was around to help too.
I do get cross when I hear people not followingvthecrules as they are there for a reason and it impacts on those of us who do our utmost tonprovide a good service.
DD did it for 10 years, when she started the franchisee was fantastic, looked like a bag lady but recruited excellent teachers and really developed exciting productions, chances to appear in West End showcases etc. She also allowed in talented youngsters on scholarships which made for a diverse and stimulating student body. Quite a few went on to the Brit School. DD had auditions, and got to grade 7 with Lamda. DD was having problems with some difficult characters at school and at Stagecoach she could relax . She also had private singing lessons with the teacher beforehand.
A new franchisee took over, supposedly a professional actress but I reckon it can only have been the blonde bimbo in farce, she was a bit wet and definitely in it only for the middle class money. It just became somewhere DD hung out with friends. However without a doubt her success at Stagecoach fed into her success in school drama.
Sorry, to clarify DD did Stagecoach.
And part of the reason it became less stimulating was that Stagecoach Head Office decided to impose the productions, so that instead of well known musicals, they were performing poorly written "down with the kids" supposedly edgy stuff which missed the mark, and the kids and the teachers thought were rubbish.
Ds1 loves drama, and has "stage confidence", he was selected to represent his school at a public speaking competition, and also got the role of MacBeth at a borough school production (nods to Copthall, which is why I think he got his offer at Emanuel as he was very excited about that on the day of his interview).
It is definitely a very middle class area, and lots of parents send their kids to stage coach for confidence building.
I have to admit that gladrags was not our finest moment and I decided to do no more of those after that. Sometimes things work - sometimes they don't.
I think it does vary from franchise to franchise. Ours has started running a lot of one off free workshops with external choreographers etc which ds2 seems to enjoy. (Limited numbers you just have to get your name down quick). There are two styles of jazz shoes for sale at ours, the thin ones and then some which are more like a trainer & more expensive. When we joined we were told we didn't have to buy stagecoach branded gear - black tracky bottoms and a plain black or yellow t-shirt were fine. The only time I've been told to buy something in 7 years was a regular stagecoach t-shirt for performance group ( and we've had some freebies in our time).
Ds1 isn't in stagecoach agency btw - I think it's a bit expensive, and if we were going down that route there are other agents i'd prefer, but we still get told about the auditions (usually by the school principal). For theatre auditions you don't usually need an agent anyway (you do more often for film).
I have found it makes sense to ask around locally as Stagecoach groups can vary widely and are expensive at the best of times.
Doing this, we were able to find a small youth theatre who were considerably more affordable but who have done dd very well over the years.
two of mine go - Ds2 as he is interested and good - DD1 as she is a 'have a goer ' but has dyspraxia and finds the dancing hard. However I have been blown away by increase in confidence in both and have been impressed with the inclusive approach. It is quit expensive compared to voluntarily run stuff but for me having 2 of them do 3 hours in one place is time-wise/travel worth it and we have avoided a lot of the 'favoritism' which seamed to take part in the local am dram run group.
I second the poster who said that though great fun, it's a franchise business, geared to make money & not really a substitute for a proper stage school training, though of course that can vary a bit with your area, down to who owns & runs it, but having tried both Stagecoach which was fun & entertaining, but quite expensive, she didn't really learn much, nor do much in the way of shows, which she loves to do -
My now DD goes to another local small independent one, unlike Stagecoach, they don't just take anyone, they have a long waiting list & vet applicants by aptitude - DD was offered a place after she attended a weeks summer school - (they don't vet for that as its more about fun) she's been going a couple of years now & it is miles better all round, far more professional & they get involved in local festivals & stage performances too - & I was surprised its about half the price of our local Stagecoach
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Rockinhippy, I would say that being inclusive is not necessarily an obstacle to quality. Dd's youth theatre is totally inclusive and takes children with learning difficulties and physical disabilities as well as with NT children with a wide range of abilities, but still gets very good results. Everybody gets a part in their shows, they tend to get very good reviews in the local press and have recently won regional awards for the quality of their acting. Some of their children go on to stage school or the professional stage. Dd has learn a lot from them.
Dd went to something like Stagecoach from7-14 every Saturday morning and it got progressively worse. Huge staff turnover, and no productions..just showcases which were embarrassingly awful...we still have the dvds.
Luckily a friend set up her own drama/singing Saturday thing, with two professional singers/actors. It's fantastic...dynamic, two good shows a year and a fantastic group of friends for dd to hang out with.
I would be very careful about using Stagecoach. I worked for a lovely school as a singing teacher for over 12 years. It came under new management. Unfortunately I was not paid at all for an entire terms work as the owner went bankrupt. Each franchise owner pays to use the Stagecoach name. Stagecoach are happy to take the money with very little quality control or help for owners and staff
As someone who worked at Stagecoach head office I will say your statement about 'little quality control' and happy to take the money is wrong
Sorry MorganKitten, I'm with Ant123 on this one. I worked for a Stagecoach for 3 years and had such an awful experience, I left and set up my own school, charging a fraction of the price for a much better quality of service.
The owner was useless. She claimed to have a theatrical background and a passion for musical theatre, but spent 90% of her time sat in an office playing games on her phone and drinking tea. Us teachers were left completely to our own devices. We made all the creative decisions and organised all the scripts and music etc. On a positive note, I feel very lucky to have worked with those people, because they were an excellent team of true professionals and we did what theatre people do, and got on with the show (two of them have been working for me ever since!).
Money was always an issue as well. We usually ended up having to devise our own productions, because she refused to pay performing rights for anything. On one occasion, we even had to take it upon ourselves to borrow costumes from another Stagecoach branch, because she told us there was no money in the budget. Bearing in mind the fees are £100s per term, she expected the parents to be satisfied with them doing a show in their Stagecoach tracksuits, no costumes, no scenery, no lighting? This was a branch with 2 sets of main stages on a Saturday (my day), one on Sunday, one midweek and 2 sets of early stages. I don't know what she was spending all the money on, but it certainly wasn't being invested back into the school! She did go on an extraordinary number of holidays though, often emailing me on the Friday night, to tell me that a caretaker would be opening up the building for us the following day.
The owner was also incredibly passive aggressive, often refusing to speak directly to the parents whenever issues a rose. Her answer to any problem, was to issue a nasty letter, which was invariably given to us teachers to hand out... and take the flack for. I honestly don't know why the parents tolerated it, but they did. All I can assume is that most of them had more money than sense.
Now I should say here, that I don't think Stagecoach is necessarily bad. I know there are some very well run branches, but they are few and far between. In the main, they are a good recreational activity for children, but I wouldn't consider them a breeding ground for talent. Stagecoach exists for one reason, and on reason only... to make money!
The day I left Stagecoach and opened my own school was the best decision I ever made. We now have a fantastic reputation in our town. We have staged numerous shows at the local theatre, including two full musicals working alongside the adults from the amateur dramatic society. Thanks to our connection to the theatre, we have had the opportunity to work with a whole host of visiting theatre companies and given the children access to learn a broad range of theatrical skills, from performing, to costume, lighting, sound, stage management and more. I have personally never come across a Stagecoach that does what we do... because it requires a backbreaking level of work to achieve, and it's never about the money.
As with all these things, ultimately a school is only as good as its principal. Especially (as noted above) sometimes the teachers are doing their level best, but may not be receiving any support from above in order to do their job properly.
My kids love Stagecoach and it's helped their confidence hugely. But they are probably among the less talented kids that make the organisation "inclusive". They have great fun, learn fab songs, dress up and perform for families, make new friends. That's why I sent them, not because I want them to be the stars of the West End.
It's expensive for sure, especially when you add in the cost of costumes, tickets, exams. But I'm willing to pay for convenience of three hours in one place at a time that suits.
I do conquer with the latter. My daughter has been going to one of the Franchises for a period of five years . Whilst she has gained some form of confidence, I must say that some of the children in her class are given more opportunities than others who are constantly given lead parts. My understanding would have been that since all parents pay the same amount of money, make similar sacrifices and take their kids for the same cause, each of their children should be given a chance to shine. My daughter is now in stage two and is always given two or three line to recite as a 'narrator' whilst a few usual people are always given lead parts. I have been patient thinking that her turn will come but am starting to loose hope since the moment does not seem to appear. It makes me wonder if the rest of us are just used to make a few other people's children benefit from the process. What bonus do we get for being loyal. What is even worse is the thought of what our children are being taught in the process. Are we teaching them that they are not good and thus not fit to get leading roles? Or teaching them to support and uphold inequality and discrimination. Talking only about the Franchise I have knowledge about, I would say that something has to change. The culture of favoritism has to be abolished otherwise we will be deemed agents of discrimination. I have now been reduced to having to pay more money for LAMDA classes for my daughter to acquire some acting and confidence skills.
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