to wonder who on earth reads these books? And why??(184 Posts)
'I view many readers of these products in a similar way to how I see those who watch extremely violent films (torture porn) - Saw etc.'
allinone how can you judge why a reader is reading a book without actually asking them? You have just confirmed that you are judging people based on your own ideals. You think the books are not to be read or are inappropriate reading in someway therefore you project this onto others. People who could be reading for one of the huge number of valid reasons we have seen on this thread already.
Perhaps you shouldn't be so quick to judge others by your own standards.
I asked someone at uni about this, she was always reading them.
Her answer was that her childhood had been so happy she couldn't imagine anything else so reading them showed her another side.
It's the snowballing of the genre, it feels like it devalues the pain of the individual somehow into a 'brand'.
I am not and never have been uncomfortable with any proceeds which go to the victims. And now I see that for other victims it may offer some sense of them not being alone - get that now, didn't before. And I don't think victims should have to shut up and keep their abuse a secret; it is just an objection to the mass marketing, homogenisation and commercialisation of their hell. It does feel like exploitation.
I'm genuinely sorry if my views have contributed to upsetting anyone who has been through this hell.
no - because clearly the way a story is written will also depend on the literacy levels of the survivor.
Well maybe we're all being too polite, in a sense. Aren't a lot of people saying books recounting childhood abuse with real literary merit are one thing, badly written exploitatively promoted 'genre' books (however rooted in real experience) are not?
I read Ugly - I'd picked it up second hand and was curious. I must admit my life has been quite sheltered and abuse on this scale was an eye opener. I don't think I need to read any more though
I said I saw people relating these life stories as people seeking a kind of therapy. I didn't say I saw them as anything else.
I view many readers of these products in a similar way to how I see those who watch extremely violent films (torture porn) - Saw etc.
I don't think they shouldn't exist. But it does disturb me that they are so ubiquitous, popular.
I'm genuinely surprised that you think I was being hostile MrsDeVere, I honestly wasn't intending to be. I was answering some of the points you made and asking you to clarify a point I wasn't clear on, which I think is pretty normal in debate.
I agree with Allinonebucket. There is something that I personally find very disturbing and distasteful about the marketing and popularity of this genre. As I have written elsewhere on this thread, it is absolutely not about the subject matter. There have been some truly brilliant works of literature written by victims of child abuse about their experiences. I mentioned a few of them in an earlier post. So it really isn't about the subject itself.
But I find this particular publishing niche (the so-called "misery lit," e.g. A Child Called It) quite disturbing, for the reasons mentioned above. I feel the same way about certain types of films, e.g. "torture porn" (admittedly, I have never seen one of those films, but reading the descriptions is enough to make me know I never want to see one). I'm not saying that these books or films should be censored or banned. Perish the thought. But I do think it is worth it to explore why particular genres become popular, and to recognise that the popularity does not always reveal us at our best and most empathetic.
One of my DD's reads a lot of Jaquline Wilson, she will move on to misery lit when she is older...
This was actually turning into quite a decent discussion Gingerfringe . . .
Loads of women on my train to work read this type of shite. They seem engrossed in their books - I think it's quite strange.
MrsDeVere - I think there are a lot of good points here and the reasoned questions from both sides are welcome, but there are also some very unhelpful sharp comments which will seem extremely hurtful to survivors which is why I'm defensive personally because I have worked with so many and it is heartbreaking to see the continuing damage abuse does.
Absolutely in answer to your last question - but then so can anything, a song, a TV jingle, a smell, cigarette smoke, anything at all. I guess with the books, they are at least obvious in what they are if you see what I mean, whereas other triggers can come from nowhere.
They don't really get advertised that much. Sometimes a newspaper will buy serialisation rights, but a conviction is usually needed for that, as is the willingness of the survivor to be named. They don't get advertising in the way that fiction or other mass market non-fiction do, mostly because the genre is self-explanatory (audience knows what it is) and publishers have a certain amount of space in their catalogues for it every season.
It has changed in the time I've been working in it, and every agent/publisher has said for quite some time that the demand will drop soon, but it hasn't and I'm not sure it will, because there will always be people who need to know what others have been through that offers them some hope, that they too can get through.
The 'Loaded' comment wasn't directed at you MRsDeVere but at the poster who said she had complained to WH Smith about the presence of 'misery memoirs' in store. I fail to see how anyone could accept that this genre of biography is damaging but not the women-hating mainstream magazines which are sold - and I wondered whether she had directed her consumer complaints that way too.
I don't think Cailin is being hostile - I think she's made some excellent points much better than I have.
And I see evidence of the ability of these books to raise awareness every time I open my inbox. Every day, there is someone who has never spoken out, someone who has never been heard, who is reading one of these memoirs and thanking the person who did tell. For every individual who has never been abused and can't believe these things happen, there is someone else reading who thinks, 'that happened to me too.' The fact that someone else is voicing it can be tremendously powerful for the long-silenced, and can also, conversely, diminish the power of the abuser because there was someone else who did just the same things to another child.
It doesn't matter what you write, someone will find it sexually stimulating - after all, there are porn versions of children's books, and there are sites dedicated to sexual interpretations of the non-porn versions of those books too. Want to ban Winnie-the-Pooh?
I hope that the person who complained to WH Smith about their true life section also had a word about 'Loaded' et al . . .
It is true that memoirs have become more 'extreme' as it has been put, but that isn't just a reflection of reader expectations but as much to do with the fact that it wasn't that long ago these stories simply wouldn't be believed. As people have become more willing to recognise that these things go on, and they have always gone on, so survivors are bravely revealing just how 'extreme' their own lives have been. Abuse by family members, by fathers, by mothers, by brothers, by grandfathers, by step-parents, by teachers, by nuns . . . it wasn't that long ago they would all have been dismissed. Let's not go back there.
Someone reading a crime novel might get off on the details of a murder, if they're that way inclined. Yet crime novels are massively popular and no one seems to have any objection to them.
Books about extreme abuse are popular because they create a striking story that explores the limits of human behaviour and endurance. Similarly people are more likely to want to read about someone who was the sole survivor of a terrible plane crash rather than someone who had a bumpy landing coming home from menorca.
I don't see why books about abuse need to meet some criterion for education. Could you explain that?
Allin, I see what you are saying, but I don't think that is a strong enough argument for not having these books at all (not sure that you are arguing that). Better that people can speak out, even if a segment of the audience is reading the books for pretty unfortunate reasons, if that is the case, than the alternative of silencing survivor voices.
And I say that even though I think that the books are broadly true but not always necessarily completely authentic, if that makes sense.
Because the 'Some people read them for the wrong reasons' argument reminds me of the arguments against showing any naked pictures of young children or of people taking photos of children. The vast majority of perfectly ok people will thereby deprive themselves of something that has real merit and give the dodgy minority too much power over public space and discourse in the process.
So you equate someone relating their life story to porn?
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