3 x FREE CHILDRENS BOOKS FOR EVERY READER Three fabulous books - 'Christmas Books' by Charles Dickens; a collection of five specifically written stories for Christmas, plus 'Wind In The Willows' by Kenneth Grahame and 'Treasure Island' by Robert Louis Stevenson. These books are yours FREE... you just pay p&p of £3.25. Click here to claim your books.
Sir John Ferrar's little boy (ie, step-nephew of Marianne and Elinor), glimpsed briefly in the first episode and last episode. If that were your son, would you have let them do him up like that? I mean the OTT red hair and looking very fat and twittish?
It wasn't bad, it just wasn't very Austen. I guess they are perfectly entitled to take a plot and film it how they wish but since Austen has such a unique tone, it just felt rather odd.
Sorry to join at this late stage, but my problem with the KK version (apart from MMF looking as though he had a ghastly stomach ache all the way through) is that it was JA as filmed by Charlotte Bronte, terribly intense and romantic. Disappointing, very.
I didn't manage to watch Wide Sargasso Sea, but it pretty much followed on from the Jane Eyre, I seem to remember, but possibly only on one of the BBC digital channels?
what i didn't like about the recent Jane Eyre was it lacked any real menace or darkness...it was all rather tame and Jane was so utterly sensible, you didn't really get a sense of any underlying darkness or passion or anger anywhere. Loved the recent adaption of Wide Sargasso Sea..that was beautifully done and spine shivering.
I quite like M McFad as Darcy but he was a leetle bit wet and also has an enormous head shaped like a box. Also one of those men who is attractive until he smiles and when that happens you want to run and hide from him. KK was good in some ways, properly sassy like EB should be. But what's with that awful greasy fringe? Not good imho. But the worst crime in the KK version is
WICKHAM!!!!!!!!!!!!!
Oh lord preserve us from the horror of a block of wood who can't act given a part where we are supposed to believe it plausible that Lizzie would find him more sexy and charismatic than Darcy. A chair would have had more sex appeal than that muppet.
I quite like the Oscar Wilde quote that "One would have to have a heart of stone to read the death of Little Nell without laughing." - it just doesn't really work any more, does it.
oo, no KK version is in my cupboard for completeness (I am a tidy geek) but I really didn't like it. I grant you Mrs Bennett was better, but Mr Bennett had no spark, and Matthew McFadyen didn't come across as a man who could appear proud, he was just wet.
And I actually found myself, in some moments, thinking I wouldn't mind marrying Mr Collins, and that's just wrong.
Little Nell dying - hadn't read the book (my mistake - although i'd tried several times to get through it) and couldn't cope with the ending of the grandfather being okay after what he'd put her through. I like a nice tidy moralistic ending even though life isn't like that.
I quite liked the way the KK P&P was full of mud and smelly dogs and chickens etc. It seemed a bit more real.
Still haven't seen the KK P&P - will be making an effort to find it now, as a result of this thread. Though I did quite enjoy the colin Firth one, though not particularly because of Colin Firth. Loved Bleak House - whatsername, Mulder or Scully, was a complete revelation. Did anyone watch the Old Curiosity Shop over Christmas? I did, but was very disappointed with it - unrelenting doom and gloom.
I must see different real life people then, as everybody I have spoken to about it loved it! I thought it smouldered, unlike the Colin Firth one, which merely simpered!
A vote for Tom Hardy as Bill Sikes in Oliver Twist over Christmas - thought he was amazing in the part.
Janeite - I've given up trying to tell anyone in RL that I loved the recent P & P film, preferring it to Colin Firth et al - judging by people's reactions, I seem to be saying 'Oh, and I torture puppies as a hobby, you know.'
Harold Pinter was very odd in that Mansfield Park film. He just did his 'The Caretaker' malevolent thing. Couldn't bring myself to see Keira in P&P, sorry. And Reese Witherspoon looked rather lost in Vanity Fair. As did most of the cast actually.
I SO agree about Alison Steadman, can't bear her, ghastly ghastly ghastly just does Abigail's party whatever she's in. Her caricature in the CF P&P ruined it for me, whereas I thought Brenda Blethyn (is that who it was in the KK version?) made Mrs B real and totally believable.
I still think David Rintoul was the definitive Darcy for me though. Loved that version.
Wives and Daughters about 4 years ago was excellent. And Bleak House best thing in years.
Surroundedby - oh yes, the Colin Firth P&P is awful - in fact, by definition, I've decided that anything with Alison Steadman in is automatically awful. But I am one of few (it seems) who absolutely loved the Kiera Knightley version, except Mr Bennet's teeth.
I really liked the recent Jane Eyre but then I'm not a Bronte-freak in the way that I am a Janeite, so my expectations were probably lower. I loved the guy who played Mr Rochester.
There was an awful Wuthering Heights about ten years ago. The recent Jane Eyre [Toby Stephens as Rochester] was well received but left me cold. The Tenant of Wildfell Hall was quite good as I recall with Tara Fitzgerald in the lead. Probably about ten years ago too.
I thought Col Brandon's valet ought to be dismissed forthwith. His master was still wearing the waistcoat slashed in the duel with Willougby some weeks later (presumably that was what we were meant to be reminded of) when he carried in a rather sodden & feverish Marianne & his cravats were tied rather poorly too. Not a prodigiously smart beau at all.
Haven't read the most recent posts, re: last night's episode but will catch up on it later. I thought it was dreadful - utterly devoid of passion. I was even thinking, "Oh dear, Marianne's dying - who cares? Let her - it might inject a bit of feeling into the whole sorry proceedings" - complete waste of time, money, effort and hats.
I sat down three weeks ago, saying 'I will not make negative comparisons with Ang Lee film (which I adore with a passion) before I've even given this a chance.'
So I gave it a chance. And look what happened - a ridiculously ineptly acted interpretation of not the novel, but Emma Thompson's screenplay! Sticking the duel and Willoughby's visit to Cleveland in to fill up the extra hour does not make it original, Andrew Davies!
I ended up brooding over why Elinor's hair was so rubbish compared to Marianne's and what that little hole was for in the back of Brandon's waistcoat - possibly not what I was meant to be thinking about during the dramatic final episode!
But it did inspire me to watch the film again to fall in love with the story all over again so that's a bonus.
just make sure they are accredited Kerry, for goodness' sake! Then, if they don't do a good job testing your propriety (not replacing batteries for example, or offering a short screw when a long one is required) you can report them, and have them struck off.
Sorry everyone. Don't know what's wrong with me. Think it's a sense of thwart, at last night's debacle.
Also now is maybe a good time, if you're forced to sit, which I know has been a 'mare. No pleasure in sitting if you still have to do normal life though, really, is there? So strike that.
<sigh>. I suspect you speak for many of us. I am feeling quite.. Elinor-ish at the mo. Actually more a sense of miasmic longing - a bit more Gothic, if you like, than Comedy of Manners.
yes, cast off Friday. A bit early I thought but ortho says okay It WAS okay until he started twisting and turning and bending it [agony]. Still can't put any weight on it though....
Iknow you are right Sue. I just can't remember what its purpose is.
Mine hasn't been tested, in any case, for a v long time. Is it like a smoke alarm, regular testing vital? If so, is there a tradesman one can pay to come and test one's sense of propriety?
It was much an adaptation of the film adaptation(and other Austen adaptations Lady Catherine de Bourgh playing Mrs Ferrars anyone? ) with a few episiodes of spelling it out (no duel or overheard Elinor/Willoughby conforntattion as I recall) and then glossing over details such as Marianne walking towards Willoughby's house. Disappointing and dumbed down
the wild bird tamed stuff was truly toe curling - and I can't remember but really can't believe that Jane Austen would put anything as crass as wild horse taming analogies in Elinor's mouth. Yuckety yuck.
Marianne was the bird, flying free, soaring in the heights of her passion! Colonel Brandon just sort of stood there, let her read his books and play with his organ (and who knows, maybe she even pinched some of the strawberries in that conspicuous bowl in the library) and then she came to him, all heaving bosom and tousled hair.
And then he took her home for a jolly good chafing.
Elinor was so upset she went and made bread. And then she and Edward chased some chickens.
Noellefielding - agree about the bird of prey imagery, though I read it more as 'taming the wild thing' imagery - to go with the horse whisperer stuff. Yeuch.
Oh yes Alan Rickman! Ang Lee lets his actors ACT! So much compassion, so much longing! Morrisey would have been excellent in this part if he'd been given some room imo. (big DM fan!) He will rescue you
I only caught half of episode two and then three, but agree totally, what a dismal imitation of the film Horrendous casting of Willoughby and a lot of thesp offspring doing well (Hattie is director Christopher Morahan's daughter, Daisy is director Piers Haggard's daughter, etc) I am ploughing my way through Wives and Daughters on DVD so put that on directly afterwards and the contrast was so extreme it made my eyes water. The Misses Steele were just not grasping and calculating enough, Mr Palmer was reduced to one line. I did like Linda Bassett and Janet McTeer as Mrs Jennings and Mrs Dashwood though.
I'm hiding for various reasons! Good to see you - I haven't been mumsnetting for ages owing to dh ban and never being able to control my mumsnet habit and also I can't get on with this different system of old messages first. I'm like an old Luddite who can't adjust to motor vehicles and missing the pony and trap!
Haven't read whole thread but feel passionately about this heap of S and S rubbish
1] Andrew Davies arrogant to take on a book that had been done perfectly by Ang Lee/Emma Thompson. 2] There were endless imitations of other Austen adapatations that just made you wish you were watching them. 3] Eleanor/Elinor had one expression 'Eyes Wide Open' - Give the girl a chance! 4] Marianne - too like Winslet; she made you miss her. 5]Morrisey - good actor - given no chance to do more than smoulder and alternate between 2 expressions. 6] Willoughby - appalling casting he looked like an alien 7] The duel - what? 8] Textual changes to no purpose 9] Brandon to M in the library "I'll leave you to Explore. Call me when you're ready" barf barf barf 10] Terrible bird of prey imagery yuck! Thoroughly disappointing!
I only saw last nights episode. How dreary compared to Ang Lee's colourful film and yet the Davies version didn't really try to do it differently. Seemed like a complete waste of money & effort, he should have tried a different book.
I didn't think any of the men were attractive . And yet I'm usually very easily pleased when period dress is involved!
Nooooo I was so disappointed with the final episode - no real punch. It did seem like Alan Davies just wanted to wrap things up. Wanted so much more from David Morrisey - that was all very low key after his infatuation with her.
On a positive note though I will definitely have to read it now. And the music from the film is much better - so I ordered it and will soon be sitting at my pianoforte a la Marianne waiting for Alan Rickman......
Well I enjoyed it... but not as much as the Emma Thompson/Hugh Grant version. I have to say though Elinor and Edward may have well as been ET and HG because the actors that played them played them the same (sounded the same too).
One positive though... DD1 now wants to read Pride and Prejudice and Sense and Sensibility.
I definitely warmed to Hattie Morahan's portrayal of Elinor in the last episode. And have to admit David Morrisey had something sexy about him. [LOL too at stripped and chafed all over] But rather too many over dramatic looks from him a la 'Dum dum dum dum dum de de de' EastEnders finale. The whole thing was so camped up and over dramatic and over expressed, and all that kissing ! Ah well. And didn't they miss out Edward's protracted explanation for his engagement to Miss Steele or have I remembered that wrongly? It all seemed a bit glib, 'oh well I did ask her to marry me but then i met you and changed my mind...'